Nipsey Hussle (Ermias Joseph Asghedom) Quotes
A lot of artists come into the game with a radio record, but they don't establish the fans as fans of their style of music. It's just that they're a fan of that song, and after that song plays out, it's real hard for 'em.
Quotes to Explore
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As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
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I'm a pretty easygoing person, and it bleeds into the music. Even if I'm writing the most personal song, it's not going to come out totally serious; there's always a little tongue in the cheek.
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I still love radio, but TV is also an awesome platform.
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I'd sometimes do 50, 60 takes of song.
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With a track like 'White Christmas,' everybody has done that song in every format you can imagine, so I just looked at the chords at that particular song and what chords would make it work. That's kind of quite a sad song, and I had this idea of someone singing it in the subway, someone who is homeless, old and sad.
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The one hit song that I have tremendous gratitude for is Boots, because it has a life of its own. It's like being identified with a brand name.
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But when you hear the complete album, it gets dark, really straight-up rock, with some really intimate moments with just me and the piano. It's not completely me because there are parts of me that aren't on that song, that are on the album.
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Sweete Themmes runne softly, till I end my Song.
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She’s a nice girl – I just feel very honoured that she wanted to sing my song. I used to scream for her in Times Square and now I work for her. When I was 13 she was the most provocative performer of my time. I love her so much! Britney certainly doesn’t need any freakin’ tips from me! Britney Spears is the queen of pop. I was learning from her.
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I try to find little things that you can do to move the song along and things that serve the song.
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'Marvin Gaye' came about my first day in L.A. It was kind of crazy that that's my first song that I wrote and it blew up that much. What's crazy is the next day I wrote 'See You Again,' so that's pretty interesting. I was trying to prove myself as a songwriter.
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Hollywood has realised that we do have actors and are not just mad about song and dance.
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Everyone wants a love song you can dance to.
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Listen to the late Isaac Hayes covering 'Walk on By' by Burt Bacharach or Mayfield singing The Carpenters' vanilla-seeming 'We've Only Just Begun,' and you realize soul's insistence on transformation: Mayfield in particular makes the song not just about love but the start of revolution.
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Nashville is the business center. They forget that the bottom line of it all is still the song.
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In the modern operas that 'Miss Saigon' and 'Les Miz' are, nobody breaks out into song from conventional book dialogue. Everything is sung from beginning to end, including the recitative.
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It's good to let go of control. That's probably something all artists and song writers will say at some point.
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That's why 'Chandelier' was interesting to me... I wrote the song because there's so many party-girl anthems in pop. And I thought it'd be interesting to do a different take on that.
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I can't start my day without hearing 'Waiting On the World to Change' by John Mayer. It's my alarm clock and my favorite song.
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A friend of mine called and said they're interested in having you do a song for the new Pokemon. All my kids are grown up, so I'd heard of it, but I didn't really know what it was.
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Bureaucracy is more people doing less things, and taking more time to do them worse.
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A lot of artists come into the game with a radio record, but they don't establish the fans as fans of their style of music. It's just that they're a fan of that song, and after that song plays out, it's real hard for 'em.
