Bill Cowher Quotes
Quotes to Explore
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There are as many ways to help another human being as there are people in need of help. For some, the urgent need is as basic as food and water. For others, it is an opportunity to develop a talent, realize an idea, and reach one's full potential.
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I used to sail a lot in all kinds of weather, competing on small sailboats in the ocean. And I travel a lot in Iceland on horses every summer, through the wild areas where there's no inhabitants and there are volcanoes.
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As the ratings go up, so does advertising revenue.
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It's important to wallow and grieve when you have a health issue. I don't think you really get the best stuff out of life until you've had the worst stuff.
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You can never fully put your finger on the reason why you're suddenly, inexplicably compelled to explore one life as opposed to another.
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What used to drive me was the fact that I wanted to be better than everybody at something. One of my best qualities is that I used whatever other people found to be an adverse thing to be a positive thing for myself.
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As actors, we're all encouraged to feel that each job is the last job. They plant some little electrode in your head at an early stage and you think, 'Be grateful, be grateful, be grateful.'
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Capitalism is using its money; we socialists throw it away.
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I want to be the first person to laugh at myself. It makes other people feel at ease - we're all on an even playing field.
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If you're gonna tell your life story, you gotta be honest, or don't do it.
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To be let go from a soap opera is the most embarrassing confidence basher in the world. It's like, 'Oh, if I'm not good enough for that, I'm not good enough for anything.'
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If the work is pure then you have to think it could be understood. If it is not understood it doesn't mean that your work is not accessible. It doesn't worry me, but, of course, I would be pleased if people liked my work.
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I'm in a very fortunate position, in that if I had an idea, and I could do it on a web budget, I could probably get it made; it's just a question of finding the time to really develop it, because I don't want to make anything that I don't believe in 100 percent.
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I had no interest in fashion when I was younger. I was such a tomboy.
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I'm about caring, I'm about people, and I'm about entertaining people. I'm a family man. A husband. A father. I've been a lot of other things over the years, which we don't really want to talk about.
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My mum came from nothing and didn't have many opportunities in her youth, and she blames a lot of her social inadequacies on that.
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Should you create a protagonist based directly on yourself? The problem with this - and it is a very large problem - is that almost no one can view himself objectively on the page. As the writer, you're too close to your own complicated makeup.
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If cash comes with fame, come fame; if cash comes without fame, come cash.
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You can't bury a part of yourself that's so innate to who you've been, even if it's not for the sake of anything other than a pure enjoyment of it.
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If it's great stuff, the people who consume it are nourished. It's a positive force.
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I do feel pressure internally and externally to put out music, but that excites me because I love songwriting, and this brings me back to why I got in music in the first place, so I'm excited about that.
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It means a lot to me to have my kids like what I do. And that's why I limit them. But I don't want to put that pressure on them to be a fan of mine.
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Pressure is something you put on yourself.
