Lewis Capaldi Quotes
I have been gigging around Glasgow and Edinburgh since I was 12. I played in pubs at that age, even though I obviously was too young to be in them. So I used to hide in bathrooms, come out and play my set, then get the hell out as quickly as possible.

Quotes to Explore
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Anyone can be a father, but it takes someone special to be a dad, and that's why I call you dad, because you are so special to me. You taught me the game and you taught me how to play it right.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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In the 30 years of my career, I have explored all possible mediums, except radio.
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The '70s were a time of turmoil and turnover. But I grew up here. I always wanted to play here.
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I played a lot of keyboards, but I really wanted to produce the sound that was in my head that I was trying to emulate on the keys. I wanted to do it for real. And it makes me look at the keys in a different way. So it's like I'm looking at the guitar and bass more like meat and potatoes and keys like coloring over top of it, you know.
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If one must fight or create, it is necessary that this be preceded by the broadest possible knowledge.
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Because of recent improvements in the accuracy of theoretical predictions based on large scale ab initio quantum mechanical calculations, meaningful comparisons between theoretical and experimental findings have become possible.
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I'm doing a play, a musical. The musical follows the Mamma Mia concept. It's my first LA theater project.
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To every object there correspond an ideally closed system of truths that are true of it and, on the other hand, an ideal system of possible cognitive processes by virtue of which the object and the truths about it would be given to any cognitive subject.
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I have 'Happy Birthday' in multiple languages on my iPod - I like to play it at company birthday parties.
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In the time between records, I always have lots of stuff going on. I shoot photography, make little sculptures, play video games.
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Actors need bricks to play with, and in fact we rejected all the improvised fragments we had made without a plan. Improvisation without a plan is like tennis without tennis balls.
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I love to play tennis. I play a lot in the summer. I'm not a big golfer; I need something a bit more intense.
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I didn't have any friends. I was bullied. I didn't play sports.
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To get to play someone who was in some capacity the King of Harlem, that meant something to me. Deep within my bones. I was inspired by the energy that I knew to be a real thing.
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If A is success in life, then A = x + y + z. Work is x, play is y and z is keeping your mouth shut.
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In the early part of my life I carried the flame for fiery women: perky women who were not dumb.
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If you come up to me in the street, I am going to be delighted to meet you. I became a television star to entertain people, to spread goodness into the world.
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Light rails are too bus-like to impress most commuters, too squished and close to the ground. Monorails, by contrast, strike a chord with travelers. There's something about the sleek designs, the pillowy rides, and the panoramic views that just enchants.
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The one thing I've always demanded of the records I've made is that they be danceable.
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The girls, like, in we'll say Hooters, have less clothing than the girls I worked with in those days. We thought it was wild when they just wore little bells and so forth. But today, in restaurants, some of the waitresses almost work in the nude, you know, to get business.
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I've never seen hard work fail.
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I think the trick of writing a good picture book manuscript is to leave that space for illustration. An illustrated novel can do the same thing.
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I have been gigging around Glasgow and Edinburgh since I was 12. I played in pubs at that age, even though I obviously was too young to be in them. So I used to hide in bathrooms, come out and play my set, then get the hell out as quickly as possible.