Maggie Stiefvater Quotes
This object that we hold in our hands, a book... that tactile pleasure, it's just not going to go away.
Quotes to Explore
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Because I'm so hands on here at work and always looking at fabrics you have to be mobile and as comfortable as possible.
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Hands down, the biggest thrill is to get a letter from a kid saying, I loved your book. Will you write me another one?
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Yes, there is a terrible moral in 'Dorian Gray' - a moral which the prurient will not be able to find in it, but it will be revealed to all whose minds are healthy. Is this an artistic error? I fear it is. It is the only error in the book.
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I've grown up with girls that are like Precious. I've grown up with people that are like everyone that I read about in that book. And so years later, when I was given the role, I just felt a huge responsibility to show the reality of that situation and to show that we're not making it up.
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I was devastated when I got the review for my first book. The book came out a couple years before the women's movement broke through, and people were putting it down, asking, 'Why does the woman in this book need to get a divorce? Why can't she just shut up and be happy?'
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My favorite book is 'Go Away Big Green Monster.' I wrote it for my granddaughter Adrian, who was in the third grade at the time.
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Readers want to have the confidence that you understand the era in which the book is set, so for 'The Perfumer's Secret,' I needed to know everything about the First World War from a French perspective. I had to understand those people and that town in 1914.
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One half who graduate from college never read another book.
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I was raised in Harlem. I never found a book that took place in Harlem. I never had a church like mine in a book. I never had people like the people I knew. People who could not find their lives in books and celebrated felt bad about themselves. I needed to write to include the lives of these young people.
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For me, the whole process involves envisioning this book in my head as I'm working.
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When you're writing a book, you don't really think about it critically. You don't want to know too well what you're doing. First, you write the book, then you find the justification for it.
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There is no such thing as pure pleasure; some anxiety always goes with it.
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You cannot shake hands with a clenched fist.
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One of the pleasantest things about book writing is that sometimes it brings one in touch with old friends.
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I know from an editor's point of view or a publisher's point of view it's easier to slot me into a particular niche. But I know that I'd be bored unless I wrote a book that in some senses was a challenge.
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He who eats with most pleasure is he who least requires sauce.
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I have a Ph.D. in cell biology. And that's really manual labor. I mean, experimental science, you do it with your hands. So it's very different. You're out there in a lab, cleaning test tubes, and it just wasn't that fascinating.
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With the discovery of the Higgs boson, one of the questions has been ticked off the list, but there are many others. We hope that we can find answers or hints for answers to at least some of them. But of course, this is in the hands of nature.
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I feel comfortable with the ball in my hands.
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It's easier to release an ebook than a print book.
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There are two methods for the literary study of any book - the first being the study of its thought and emotion; the second only that of its workmanship. A student of literature should study some of the Bible from both points of view.
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Do they think that they have given us great pleasure by telling us that they hold our soul to be no more than wind or smoke, and saying it moreover in tones of pride and satisfaction? Is this then something to be said gaily? Is it not on the contrary something to be said sadly, as being the saddest thing in the world?
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This object that we hold in our hands, a book... that tactile pleasure, it's just not going to go away.
