Billy Joe Shaver Quotes
Quotes to Explore
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I wrote poetry before I wrote songs, and T.S. Eliot was my inspiration. I love his honesty and try to bring that to my own songwriting.
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If I weren't a performer, I would be still be writing and songwriting. Plus, I also really want to get into producing.
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That's the era we grew up in. It's weak to go to a psychiatrist.
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Nothing can stop a great song, so just keep songwriting.
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That's my favorite part about songwriting, the way you write a song, and someone else might hear it a different way.
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I think my favorite thing is songwriting.
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I'm a songwriter first...In my career I have never felt that my being a woman was an obstacle or an advantage. I guess I've been oblivious...Sensitive, humbug. Everybody thinks I'm sensitive...There is a downside to having one of the biggest-selling albums ever.
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After two years in the songwriting world, I wrote 'All About That Bass.' L.A. Reid heard it and signed me as an artist.
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The idea of taking a song, envisioning the overall sound in my head and then bringing the arrangement to life in the studio...well, that gives me satisfaction like nothing else.
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I do more writing by myself than with anybody else. My best thing is sitting...around somewhere with a guitar, and having an idea. You never know where it'd come from. Songwriting is a God-given talent.
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Great songs aren't written, they're rewritten
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I see songwriting as having to do with experience, and the more you've experienced, the better it is. But it has to be tempered, and you just must let your imagination run.
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I told my psychiatrist that everyone hates me. He said I was being ridiculous - everyone hasn't met me yet.
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The big problem with songwriting for me is starting a new song. It's the thing where all the anguish exists, not in the writing of the song, but the starting of the new song.
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Songwriting is the other weight on the opposite side of the scale from touring. They balance me out creatively.
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I read a book recently by a psychiatrist who was able to interview a few serial killers and she had a thesis on how you could figure these people out. And she thinks that there are things that could tell you whether someone has the potential to do that.
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This little four-string songwriting tool started changing the way I brought songs to the group.
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If you don't know what sex is before you're 21 you're going to have a problem and should go to your psychiatrist.
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My view of actors is that basically they're all harmless lunatics who'd be on the psychiatrist's couch.
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I think everybody I've seen has come from some other therapy, and almost invariably, it's very much the same thing: the therapist is too disinterested, a little too aloof, a little too inactive. They're not really interested in the person; he doesn't relate to the person.
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The peculiar characteristic of classical music is that it is really better than it sounds.
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Life is beautiful. Cherish every moment even if you're stressed or hurt or whatnot. There's always tomorrow and it always gets better
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If an actor is bored, then they are boring to an audience. I definitely don't want to ever be that.
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Songwriting is the cheapest psychiatrist I know.
