Norman Podhoretz Quotes
Creativity represents a miraculous coming together of the uninhibited energy of the child with its apparent opposite and enemy, the sense of order imposed on the disciplined adult intelligence.
Quotes to Explore
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We ended up New Year's Eve playin' a show. My date had stood me up, and I remember walkin' back to my friends with, like, two minutes before midnight and thinkin', 'I'm not gonna have anybody to kiss on New Year's.' And there she was, standin' right there, and I remember kissin' her, and then that was game over.
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My idea, as the whole world knows, is that the capitalist system now doesn't work either for the United States or the world, driving it from crisis to crisis, which are each time more serious.
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I had some problems with fidelity in my life but pretty much got along with everybody.
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When your results are good, you are obviously going to have a lot of press. And when you start to falter a little bit, you are going to have some criticism, and there is nothing abnormal in that.
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I survived only a year in Berkeley, partly because I declined to sign the anticommunist loyalty oath.
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We cannot rest until we make sure that our families can afford to live and raise their kids here, that our seniors can remain in their homes and afford their health and pharmaceutical costs.
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I love '30 Rock.' It's one of my favorite shows. It's certainly the gold standard of comedy writing.
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I cannot abide being bored.
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It would have been fun to have played Tim Robbins' role in Bull Durham.
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People will see me at Chelsea the way I am and judge me the way they want to.
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Let's not burn the universities yet. After all, the damage they do might be worse.
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We've persevered because of a belief we share with the Iraqi people - a belief that out of the ashes of war, a new beginning could be born in this cradle of civilization. Through this remarkable chapter in the history of the United States and Iraq, we have met our responsibility. Now, it's time to turn the page.
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I believe in the future, and to be a good investor, you have to believe in the future.
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I approach things from my feeling first. I have to get a feel for the character. I'll do that through music; I'll do it through what is naturally popping up for me when I read the script. My ideas or whatever the occupation of the character might be.
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'The Museum of Innocence' is not about politics; it's a love story, but I think it's political in the sense that it wants to capture how a man suppresses a woman.
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'Orphan Black' allows for people to have debates and theories and allegiances to different characters - to trust characters and hate other characters - but it doesn't tell you who is good or bad or right or wrong. That's the most exciting storytelling, in my book.
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Every emancipation has in it the seeds of a new slavery, and every truth easily becomes a lie.
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Of course there are peace-loving Muslims.
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In this business actors who have Botox or surgery make you very aware of age. It's awful.
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He Quoyle did not want a boat, shied from the thought of water. Ashamed he could not swim, couldn't learn.
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'West Side Story' I used to watch all the time - I don't know why. Well, I do - it's a great movie. I love the music in it. I love the actors.
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I was brought up with an incredible amount of freedom and creativity.
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For me and accent work, I think once you've figured out where that energy is, where the sound is in your throat or your mouth, it's a whole lot easier to do.
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Creativity represents a miraculous coming together of the uninhibited energy of the child with its apparent opposite and enemy, the sense of order imposed on the disciplined adult intelligence.
