Chitra Ganesh Quotes
I'm trying to make sure that the visual connections between the disparate elements are strong enough for the viewer to keep moving through the work. It's in paying attention to those hundreds of details that the flow of the line will guide an audience through the narrative in a way that will make them enter it enough to engage with it, and perhaps construct their own narrative.
Quotes to Explore
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If other people want to say that I'm the next person in boxing, then that's up to them. That's their opinion.
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A new untruth is better than an old truth.
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The main reason I wanted to be successful was to get out of the ghetto. My parents helped direct my path.
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Scoring the first 10 in history was a big deal, but the fact that even an electronic scoreboard could not figure out how to put out a score, it made the story more historic.
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The physician must give heed to the region in which the patient lives, that is to say, to its type and peculiarities.
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Personally, I am not so affected by my environment. What I build in the creative process is not necessarily connected to what I am physically in contact with. I am always observing everything, but it will not necessarily have a direct impact on what I do.
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When a philosopher says something that is true then it is trivial. When he says something that is not trivial then it is false.
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Everybody was in struggle, in the grind trying to make it.
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I have a son, Mason, who is disabled - cerebral palsy - and he does not walk independently, sit independently or speak. He uses a talking computer. I started becoming an advocate for him when he was 3 years old.
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That's the mantra I use when the team tells me something is too complicated. People keep saying, 'We need more prioritization.' I say, 'Guys, what you want is less work. And that is not going to happen.'
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My ideal summer day was reading on the porch.
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Make no mistake: The organization of the working class must be both economic and political. The capitalist is organized upon both lines. You must attack him on both.
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Many women have asked me if it is possible to have a well-built wardrobe on a limited budget. 'Money,' I tell them, 'is no guarantee of taste, and an overstuffed wardrobe is often as bare as a skeleton when it comes to wearable apparel.'
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I play Father Francis in 'The Exorcist Prequel.' It's fantastic. We are shooting in Morrocco and Rome. Paul Schrader is directing; Stellan Skarsgard plays the younger Max Von Sydow character. It's just a fantastic script. It's a very eerie, very scary script. It encomposes a growing dread that I think is really appropriate for the film.
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If the U.S. became the undisputed superpower that it is today, it was primarily because of its technology, whether it is in transportation, agriculture, high-tech industry, medicine, etc.
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Religion makes them crazy. Not a woman I ever met wasn’t crazy with religion.
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What guides us is children's response, their joy in learning to dance, to sing, to live together. It should be a guide to the whole world.
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You have to focus on your dreams, even if they go beyond common sense. How could this young girl from the suburbs of Detroit become a success in New York? It was always that dream.
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I'm so into playing different characters, even when I was on Nickelodeon. I just observe.
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The first thing is that we're being attacked by both the Writers Guild and the Producers Guild. Both of these groups are trying to diminish the importance and strength of the director. They're trying to do it through both frontal and side attacks.
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Good education is so important. We do need to look at the way people are taught. It not just about qualifications to get a job. It's about being educated.
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....those who become princes through their skill acquire the pricipality with difficulty, buy they hold onto it with ease.
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I thought I was going to be killed. The casualties were so heavy, it was just a given. I learned to take each day, each mission, as it came. That's an attitude I've carried into my professional life. I take each case, each job, as it comes.
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I'm trying to make sure that the visual connections between the disparate elements are strong enough for the viewer to keep moving through the work. It's in paying attention to those hundreds of details that the flow of the line will guide an audience through the narrative in a way that will make them enter it enough to engage with it, and perhaps construct their own narrative.
