Chitra Ganesh Quotes
I'm trying to make sure that the visual connections between the disparate elements are strong enough for the viewer to keep moving through the work. It's in paying attention to those hundreds of details that the flow of the line will guide an audience through the narrative in a way that will make them enter it enough to engage with it, and perhaps construct their own narrative.
Quotes to Explore
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If other people want to say that I'm the next person in boxing, then that's up to them. That's their opinion.
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A new untruth is better than an old truth.
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The main reason I wanted to be successful was to get out of the ghetto. My parents helped direct my path.
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Scoring the first 10 in history was a big deal, but the fact that even an electronic scoreboard could not figure out how to put out a score, it made the story more historic.
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I don't know what I want to do. There are people who want me to do things. There's a possible book. There are lots of things to consider. I just have to figure out what I want to do. I'm not one to sit around and do nothing.
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The physician must give heed to the region in which the patient lives, that is to say, to its type and peculiarities.
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Personally, I am not so affected by my environment. What I build in the creative process is not necessarily connected to what I am physically in contact with. I am always observing everything, but it will not necessarily have a direct impact on what I do.
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When a philosopher says something that is true then it is trivial. When he says something that is not trivial then it is false.
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Florence is charming, cozy, beautiful, inspiring - it has so many great places to go to and so many unique things to see that you won't find anywhere else!
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Everybody was in struggle, in the grind trying to make it.
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The only times I'm not relaxed are when I haven't got a project on the go.
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I'm not gonna try to defend, or undo what's been done. All I could say about whatever's been done, it's been done, and it's water under the bridge. I have no regrets of my life.
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I have a son, Mason, who is disabled - cerebral palsy - and he does not walk independently, sit independently or speak. He uses a talking computer. I started becoming an advocate for him when he was 3 years old.
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That's the mantra I use when the team tells me something is too complicated. People keep saying, 'We need more prioritization.' I say, 'Guys, what you want is less work. And that is not going to happen.'
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If you're missing three or four limbs, you have special challenges going forward. And the last thing you want is to not be independent in your home.
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My ideal summer day was reading on the porch.
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I couldn't believe I was working with Michael Jackson. I thought, growing up as a kid, I thought Michael was a cartoon.
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Make no mistake: The organization of the working class must be both economic and political. The capitalist is organized upon both lines. You must attack him on both.
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The simple act of writing down a goal and making a written plan for its accomplishment moves you to the top 3 percent.
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The media is not at all homogeneous in the way it tells us about war.
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Der Verstand und das Herz stehen auf sehr gutem Fuße. Eines vertritt oft die Stelle des andern so vollkommen, dass es schwer ist zu entscheiden, welches von beiden tätig war.
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One of the things I love so much about Valerie [Belin] is that she inhabits her body so completely. She has no self-consciousness about having stretch marks or having given birth. It's just so amazing that she has nothing to hide. Whereas all these other women see every little - supposed - imperfection - anything irregular is seen as an imperfection.
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There's so many FM hits that I love. Bob Seger, there's two of his songs that I love. I would probably love more, but I don't sit around listening to Bob Seger records. It's the same thing with Tom Petty; he writes amazing hits, but it's not often that I sit around at home listening to a whole Tom Petty album.
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I'm trying to make sure that the visual connections between the disparate elements are strong enough for the viewer to keep moving through the work. It's in paying attention to those hundreds of details that the flow of the line will guide an audience through the narrative in a way that will make them enter it enough to engage with it, and perhaps construct their own narrative.
