Chris Campanioni Quotes
You can always feel the cool whisper of surveillance when the film hits your flesh, the eye of the camera or simply the camera eye . . . faces of passersby, clientele, unpaid extras change completely as soon as they’re no longer observed.
Quotes to Explore
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I think, doing a first film, at some point you get halfway through, and you wonder, 'Is this is good enough to define who I am for the coming decade?'
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To get a film in Cannes is a real honor. To have it play and not get booed is a real relief.
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The stage and working in front of a camera are two completely different mediums. Each requires different techniques.
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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Stage and film are just two wildly different animals. Why compare the two?
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My character in 'Batman v Superman' isn't supposed to be Japanese, but director Zack Snyder said he'd seen me in 'Wolverine' and had to get me in the film somehow. Hearing that was like music to my ears.
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The film industry is mostly about unidimensional characters.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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The camera introduces us to unconscious optics as does psychoanalysis to unconscious impulses.
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On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.
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The world just does not fit conveniently into the format of a 35mm camera.
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The camera cannot lie, but it can be an accessory to untruth.
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Some fellow from the Third World kept hammering for prizes for a Communist film which was rotten.
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I love film. I've always been enchanted by doing film. It's something I grew up watching - classics and directors I admire - so that's something I've always been passionate about.
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The dynamic range of a digital camera is not that much greater than film, particularly if you push the ASA a little bit.
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Sometimes you're not always on or at your best, especially during auditions. So if you go in and you don't nail it, even if they're like, 'We don't need to see you again,' get a friend, get a video camera, and film you doing the stuff again.
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The script [for the movie based on the life of singer Connie Francis -- "Who's Sorry Now?"] is finished and is in the hands of several artists to see if somebody wants to film at the start of [2006].
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Please come to Destination I'm not doin well Exclamation
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It can be difficult to run your own firm, but the trade off is fewer conflicts and more control.
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In Genoa, the word, libertas can be read on the front of prisons and on the fetters of galley-slaves. The application of this motto is fine and just.
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You can always feel the cool whisper of surveillance when the film hits your flesh, the eye of the camera or simply the camera eye . . . faces of passersby, clientele, unpaid extras change completely as soon as they’re no longer observed.
