Christian Metz Quotes
I would say that the off-frame effect in photography results from a singular and definitive cutting-off which figures castration and is figured by the click of the shutter.
Quotes to Explore
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I worked a little as a messenger on a bicycle and then decided to study photography and film.
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The Normans came over, lance in hand, burning and trampling down every thing before them, and cutting off the Saxon dynasty and the Saxon nobles at the edge of the sword; but the right of petition remained untouched.
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Photography, alone of the arts, seems perfected to serve the desire humans have for a moment - this very moment - to stay.
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To be more childlike, you don't have to give up being an adult. The fully integrated person is capable of being both an adult and a child simultaneously. Recapture the childlike feelings of wide-eyed excitement, spontaneous appreciation, cutting loose, and being full of awe and wonder at this magnificent universe.
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I thought it was a wonderful line - right on the cutting room floor.
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I did photography, painting, and drawing, but I prefer sculpture. I like it because it's very physical.
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It's like someone cutting up a loved one in front of you, all the time insisting they've got your best interests at heart. They're very devious nowadays.
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I'm constantly working on these edges of photography, either to employ so much information or reduce information to the point of collapse.
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As I have practiced it, photography produces pleasure by simplicity. I see something special and show it to the camera. A picture is produced. The moment is held until someone sees it. Then it is theirs.
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People say they have to express their emotions. I’m sick of that. Photography doesn’t teach you how to express your emotions; it teaches you how to see.
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Photography records the gamut of feelings written on the human face, the beauty of the earth and skies that man has inherited, and the wealth and confusion man has created. It is a major force in explaining man to man.
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My photography is mainly focused on my work making movies, which I've done my whole life. I think I have a perspective that not many people have. And I get to take advantage of all of the strange sources of light on a set.
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Photography belongs to a fraternity of its own. I was young and enthusiastic and wanted to take good pictures to show the other photographers. That, and the professional pride of convincing an editor that I was the man to go somewhere, were the most important things to me.
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For me, like somebody with finer hair, the key thing is not cutting too many bangs and really just framing my face versus doing a real fringe.
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The first film I made was when I was 13 and it was called 'The Dogs That Ate Detroit.' It starred my Saint Bernard Barney, and it was a killer thriller with oodles of special effects that were cutting edge for the time.
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People think because it's photography it's not worth as much, and because it's a woman artist, you're still not getting as much - there's still definitely that happening. I'm still really competitive when it comes to, I guess, the male painters and male artists. I still think that's really unfair.
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Writing is my profession. Photography is my hobby.
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I was so impressed with the work we were doing and I was very involved ideologically in photography - that I arranged an exhibition at the College Art Association. The first exhibition I picked the photographs and so on and we had an exhibition in New York.
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I decided to grow my hair out during college, and it's kind of stuck ever since. Even when I thought about cutting it or trimming it, common sense kicks in, and I don't think the fans would recognize me; people wouldn't know who I am. It would almost be like Santa Claus losing his powers.
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From Matthew Brady and the Civil War through, say, Robert Capa in World War II to people like Malcolm Brown and Tim Page in Vietnam. There was, seems to me, a kind of war-is-hell photography where the photographer is actually filming from life.
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I started at Pixar the month 'Monsters Inc.' came out.
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Let's Face it, - Sinatra is a king. He's a very sharp operator, a keen record chief, and has a keen appreciation of what the public wants.
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I would say that the off-frame effect in photography results from a singular and definitive cutting-off which figures castration and is figured by the click of the shutter.
