Christopher Bollen Quotes
It's really hard to write about art in general. But it's exceptionally hard to fictionalize art and make work that isn't a parody, or is something that could withstand critique and exist in the art world as a valuable object, or a true piece.
Quotes to Explore
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I've been working on this feature script for Master Class, a play by Terrence McNally that won a lot of Tonys.
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Homophobia is rampant in soccer, probably more so than in any other sport. I'm not sure why.
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All the terrorists are basically migrants.
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Our minds are like our stomaches; they are whetted by the change of their food, and variety supplies both with fresh appetite.
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We make assumptions: nurses should be nice, teachers should be good. But everyone has a dark side, some darker than others.
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I think is very beneficial to relax yourself so that when you are doing it you are not staggering for lines and your concentration is not on what I am going to say - but the scene itself, the character that you are talking to.
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Fighters today are much bigger, stronger and quicker and not only that but referees, judges and doctors back then were very strict and if your head got busted up the fight would be stopped.
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If you learn one thing from having lived through decades of changing views, it is that all predictions are necessarily false.
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Acting is great therapy - you get to do things you'd normally get arrested for.
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A new reader shouldn't be able to find you in your work, though someone who's read more may begin to.
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Some musicians I know are incredible fathers. Like Keith Richards. A fantastic dad.
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When the government undertakes or approves a major project such as a dam or highway project, it must make sure the project's impacts, environmental and otherwise, are considered. In many cases, NEPA gives the public its only opportunity to be heard about the project's impact on their community.
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The thing I find really scary about ghosts and demons is that you don't really know what they are or where they are. They're not very well understood. You don't know what they want from you. So it's the kind of thing you don't even know how to defend yourself against. Anything that's unknown and mysterious is very scary.
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I've often been asked to run for office. I have no desire to do that, I would not want my time with the family or the company restricted because of the demands of an elected position.
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I have a very all-over-the-place lifestyle. The people I know who are married - 90 percent of them have houses and live in the same place and sleep in the same bed every night.
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Like all of Latin America, Mexico after independence in 1821 turned its back on a triple heritage: on the Spanish heritage, because we were newly liberated colonies, and on our Indian and black heritages, because we considered them backward and barbaric. We looked towards France, England and the U.S., to become progressive democratic republics.
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I'm not really worried about what Anthony Johnson does. I have to worry about what I do to prepare myself.
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I wrote a spec script that people really liked: a political serial based on Jeffrey's Toobin's 'A Vast Right-Wing Conspiracy.' It was the first thing I had ever written with any political subject matter in it.
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I remember when I did my Enron film, my executive producers at the time felt very strongly that I should mock the Enron executives more viciously because everybody wanted that moment.
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Anything written in the French Revolution, that kind of era, is so poignant.
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The MBA entrance exams are so quantitative-oriented that it keeps out more and more women from joining the MBA classes. If we were to make the entrance exams more all-rounded, you could see more participation.
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The intelligence failures with respect to Iraq were massive and have damaged our credibility around the world.
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It's really hard to write about art in general. But it's exceptionally hard to fictionalize art and make work that isn't a parody, or is something that could withstand critique and exist in the art world as a valuable object, or a true piece.
