Edith Stein Quotes
The community that stands behind a culture as a comprehensively productive personality must be so extensive that in it, to a certain degree, all partialities balance out and work together.
Quotes to Explore
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I've been writing a lot of poetry recently. It helps me think and work things out.
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
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Together, often by unanimous vote, the council has worked quickly to get positive results.
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My thoughts fly to the old Icelandic storytellers who created our classics, whose personalities were so bound up with the masses that their names, unlike their lives' work, have not been preserved for posterity.
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Scandinavia was awash with Maoism in the '70s. Sweden had Maoist groups with a combined membership and periphery of several thousand members, but it was Norway where Maoism became a genuine popular force and hegemonic in the culture.
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I've been fortunate to work with partners like Weinstein and John and Art Linson in developing 'Yellowstone' and am grateful that it has found a home in the Paramount Network. The show is both timely and timeless.
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I often have said to people that there are really two cities in the country where the outlook is always forward-looking - there is never really a backward-looking tendency. My banking work has taken me out to Palo Alto, what is commonly called Silicon Valley. And you sense out there is always a forward-looking outlook. And New York City.
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The implication that women work for pin money and can manage on a worse pension, presumably by relying on husbands, riles. But even more galling for women is that few government ministers seem to even appreciate the value of the work they do.
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Letters actually work. Even the top dog himself takes time every day to read 10 letters that are picked out by staff. I can tell you that every official that I've ever worked with will tell you about the letters they get and what they mean.
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It's really kind of hard to be a suburb of nothing. If you don't have a downtown, you really don't have anything. It's hard to build a community around parking lots and subdivisions.
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Here's the miracle: I grew up thinking, 'Wouldn't it be great to write 'Superman' someday? Wouldn't it be great to create my own show, or work on 'Lensman,' or 'Forbidden Planet?' Those were very literally the goals I set for myself, the dreams that I thought I didn't have a chance in hell of ever actually achieving. But it's happened.
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I was raised by a family that there was no, 'You're a girl so you have a limited number of options.' In my community, that was never anything that happened.
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From 1961 to 1964, I was fortunate enough to work at a think tank in the Kenwood neighborhood of Chicago. As a writer and editor, I reported in a publication about the thinkers. Our offices were in a former mansion; I worked in what had been the ballroom. As I sat typing my copy, I imagined the dancers waltzing.
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I have to be where the best work can be done.
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I think it is really important that people at least have some potentially difficult discussions about what their expectations are - and not just financially - prior to getting married. It should really even happen prior to people living together or casting their lot together.
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I don't belong to any country clubs. I don't have this big circle of friends. Where I make my friends is where I work.
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I try to build a full personality for each of our cartoon characters - to make them personalities.
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I get to hang out with people I think are awesome, and do work I think is awesome. It's really cool.
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I want to change the pop world one sequin at a time. Artists tend to take themselves way too seriously and don't enjoy the fun of making an impact on culture. I just have a good time and sequins represent a good time.
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I opened my veins. Unstoppably life spurts out with no remedy. Now I set out bowls and plates. Every bowl will be shallow. Every plate will be small. And overflowing their rims, into the black earth, to nourish the rushes unstoppably without cure, gushes poetry.
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I'm awkward at these things. Just being nominated for an Academy Award for Best Supporting Actor for Karate Kid was a real surprise and I was a little uncomfortable.
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I want to work with producers who are unique and have a different sound.
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The biggest mistake you can make is assuming that creativity will hit you all at once and the muse will carry you to the end of the book on feather wings while 'Foster the People' plays gently in the background. Storytelling is work. Pleasurable work, usually, but it is work.
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The community that stands behind a culture as a comprehensively productive personality must be so extensive that in it, to a certain degree, all partialities balance out and work together.
