Samuel Johnson Quotes
Let him go abroad to a distant country; let him go to some place where he is not known. Don't let him go to the devil, where he is known.
Quotes to Explore
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What's true for churches is true for other institutions: the older and more organized they get, the less adaptable they become. That's why the most resilient things in our world - biological life, stock markets, the Internet - are loosely organized.
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Many financial and industrial companies have been bailed out with the public's money, but very few of those who had run those companies have been punished for their failures. Yes, the top managers of those companies have lost their jobs - but with a fat pension and mostly with a handsome severance payment.
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I keep waiting for a paradigm shift to happen that will let network and studio execs see that sci-fi is the same as any other genre in terms of how you approach it - logically, character-based, with challenging ideas and forward thinking - but I worry that it might never happen in my lifetime.
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I think artists are really the root of a tree. They can search for truth or reality in their own way, and the gallery can support them - the outside part of the tree, where it is more about reaching the outside world, connecting with the outside world. That is the role of the gallery, no? Why does the artist have to do that?
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I love listening to Lil' Wayne, Drake, and Eminem to get me fired up!
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I've actually done a lot of comedy.
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The Nobel Prize has given me, for the first time in my life, the feeling that my literature could be appreciated on an international level.
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I'm a lot less concerned with Bill Clinton's escapades decades ago than I am with Hillary Clinton's consistently wrong record when it comes to foreign policy, when it comes to domestic policy.
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I lost 'The X Factor,' and I lost 'Deal or No Deal' twice. I'm good at losing game shows.
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In 1980, shortly before my 11th birthday, I wrote my first essay in English.
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Writing humor for me is more like a watchful-ness. You have to watch. When you say something funny, or someone else does, it's more like you wait for the piece.
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In real life, I'm pretty much an eternal optimist.
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There's a tremendous intellectual fervor among independent filmmakers, and that has to be cultivated.
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When I was very little my mother said I used to draw in the air with my fingers. I needed a pencil. Once I could hold one, I have drawn every day since.
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I'm probably the wealthiest Indian in America.
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I know I'm not a conventional beauty. You can read a lot of painful things on the Internet, which criticise you aesthetically - but as far as I'm concerned, that's not what an actress is.
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How did I feel as a guy who was making a movie about a single mom who's a crackhead? That - I was scared. I mean, it was scary. But part of that's because it was so personal and real to me.
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In my seaside town, there is a plethora of benches, each one bearing a little brass plate commemorating a deceased occupant. You sit with ghosts.
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My philosophy is always to fulfill contracts.
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Every record is a gate of a certain kind for me.
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Nigera is what it is because its leaders are not what they should be.
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I've always had an ear for melodies, and they veer pop. My lyrics are more country - what I love is the storytelling and the structure, how tight the rhymes can be. But pop melodies have always been intrinsically linked to my writing style.
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Let him go abroad to a distant country; let him go to some place where he is not known. Don't let him go to the devil, where he is known.
