Clive Lloyd Quotes
Something was being applied to the ball quite obviously and he must have known it. It's quite conclusive on film.
Quotes to Explore
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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The film industry is mostly about unidimensional characters.
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I lost the ball in the moon.
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We want laws to be applied predictably.
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Oftentimes, when you have a huge studio film and you have big names attached, they like to keep attaching big names.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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The 1910 Edison film of 'Frankenstein' was itself a dead thing revived by technology.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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I make sure that whatever film I do, I enjoy my role.
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I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.
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When I am not working, I try to watch more than one film a day if I can.
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I am going to produce a movie of my own. I am not going to stick to the time-tested formulae of Hindi cinema. I want to make a film for the present generation. So there will be a lot of new faces in the film.
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I think people who aren't in film experience that when they hear their voice on an answering machine or something.
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My heart's in stage. Making Quadrophenia was exciting because we were riding around on scooters with no crash helmets. But "hurry up and wait" is the anthem of films. Everybody wants you ready, and then you sit doing nothing.
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I cringe at backstory. Because it never quite explains or gets into some psychological thing that is never quite right and never quite the truth and who knows why someone is someway.
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Some people are so much afraid of being deceived, that they never venture to trust; like misers, their avarice destroys their gain.
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Something was being applied to the ball quite obviously and he must have known it. It's quite conclusive on film.
