Clive Lloyd Quotes
Something was being applied to the ball quite obviously and he must have known it. It's quite conclusive on film.
Quotes to Explore
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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The film industry is mostly about unidimensional characters.
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I lost the ball in the moon.
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We want laws to be applied predictably.
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Oftentimes, when you have a huge studio film and you have big names attached, they like to keep attaching big names.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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The 1910 Edison film of 'Frankenstein' was itself a dead thing revived by technology.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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I make sure that whatever film I do, I enjoy my role.
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I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.
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When I am not working, I try to watch more than one film a day if I can.
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I am going to produce a movie of my own. I am not going to stick to the time-tested formulae of Hindi cinema. I want to make a film for the present generation. So there will be a lot of new faces in the film.
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No matter what lens you use, no matter what speed the film, no matter how you develop it, no matter how you print it, you cannot say more than you can see.
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Although I may seem the same to other people, to me each thing I produce is a new expression and I always make each work from a new interest. It's like a painter who always paints same rose.
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Whatever affect any of my films have on audiences, I just kind of stop at the door. I make them and I just don't go outside after they're over.
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Putting off a hard thing makes it impossible.
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When we used the small-faced racquets and wood racquets, we had to use every part of the court.
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Something was being applied to the ball quite obviously and he must have known it. It's quite conclusive on film.
