Cosima Spender Quotes
Documentaries are unpredictable. You never know what will turn up, and the drama occurs in real time. But if you listen to people, a narrative always emerges.
Quotes to Explore
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Architecture is my work, and I've spent my whole life at a drawing board, but life is more important than architecture. What matters is to improve human beings.
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I have nothing to hide.
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I never wore a single fedora filming 'L.A. Noire.' It took about an hour and a half to do the hair - it was a very precise process.
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On the one hand, the rich look askance at our continuing poverty - on the other, they warn us against their own methods.
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I firmly believe that the mission of religion in the 21st century must be to contribute concretely to the peaceful coexistence of humankind.
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When I was very little my mother said I used to draw in the air with my fingers. I needed a pencil. Once I could hold one, I have drawn every day since.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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I take my work seriously.
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In Japan, there's a TV series called Jin. It deals with time travel. I like stories about time travel. It's a story about people living in modern day that travel back to the Edo era. Those things really interest me.
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The story of the human race is the story of men and women selling themselves short.
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I enjoy music wherever it's coming from.
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I'm not the kind of person who's going to look at the top of a mountain and go, 'Oh, look at that! That's lovely. That's lovely, that top of that mountain.' I'm the kind of person who's going to go, 'Oh, my God! That's so lovely! Let's go climb up it!'
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I think it's a common misconception in the civilian community that the military community is filled with just drills and discipline and pain. They forget that these are humans who are in an abnormal situation.
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I tell you, in this country, you don't get much of an education. Throughout high school, through junior college, which is all I went, I didn't know anything about the annihilation of all the Indian nations that were here.
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Obviously crime pays, or there'd be no crime.
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We are all so busy and constantly trying to save time and balance everything.
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As the captain, I was going to be having the dominant role in most of the episodes, and that was appealing. I wasn't interested in coming to Hollywood to sit around.
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Everything goes with blond. You can wear it with any color, and it's great.
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Ever since I was a teenager, I always had a very strong sense of my own personal style. Kind of for better or for worse - actually I don't think it's ever been for worse. The way that I dress has always been a pretty accurate reflection of my personality and my life.
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With the best intentions, the job of acting can become a display of accumulated bad habits, trapped instincts and blocked energies. Working with the Alexander Technique has given me sightings of another way... Mind and body, work and life together. Real imaginative freedom...
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Nothing comes at all -- never anything. And I cannot accustom myself to that. It is this monotony, this absolute fixity in life, that is the hardest thing for me to endure. I should like to go away from here. Go away? But where and how? I do not know, and I stay.
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Documentaries are unpredictable. You never know what will turn up, and the drama occurs in real time. But if you listen to people, a narrative always emerges.
