Gabrielle Aplin Quotes
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I think it's all about the people who listen to your music, and loving playing and writing. Once you've got those two, and they're your main two priorities, then radio and TV and all the other stuff that comes with it will come. But that's not the be-all end-all.
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I'm really into fashion, but I don't really spend that much on clothes. I manage to find everything I want at a good price.
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I love the crowds at festivals because they're so chilled out.
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I am never without my lyric book. If anything inspirational happens, I have it there so nothing's forgotten.
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I have hundreds and hundreds of people from Brazil, Chile, Columbia and Argentina, every day, buying my music and telling me about it online.
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I write songs, and I sing them. I never formulated a plan; I can't tell anyone else how to do this. But it feels right, so I just kind of enjoy it and get on with it.
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When I was releasing EPs by myself, I was generating royalties. And when I signed, I thought I'd put those royalties into other artists. And interestingly, streaming is most of the income for those artists.
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It's important to have good tunes, but words are the thing for me.
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Labels fund things and have resources for you to use. But just because you sign doesn't mean you sign yourself away so they can then tell you what to do. You need to have a plan yourself before they do.
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I feel very English. I'm proud of it. I wanted there to be a thread connecting everything, the songs, clothes, artwork, even the string arrangements. It all creates a certain atmosphere.
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I got my first guitar when I was 11. It was an electric, and I can remember just wanting to be Avril Lavigne! But I got annoyed with having to plug it in and play with amps and pedals and stuff. Then I got given a cheap acoustic, a Tanglewood, and I thought it was awesome because I could play it anywhere!
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I love pop music. I love drum and bass, Calvin Harris, all these electronic things, but it's nice to have something organic as well.
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For a lot of pop performers, fame and celebrity is part of the job. But for singer-songwriters, no one really cares.
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I met Jared Leto at Soho House in Berlin.
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I wrote poetry before I wrote songs, and T.S. Eliot was my inspiration. I love his honesty and try to bring that to my own songwriting.
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My parents are music fans, even though neither of them play an instrument. I was exposed to their record collection, so I love everything from Joni Mitchell to Bruce Springsteen.
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I still love records, and I've been fortunate that my parents bought me a record player so I didn't just have my vinyls to stare at!
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I'd love to write for One Direction. I think they've done incredibly well.
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I've grown up with a piano in the house, and that's where I started to be able to learn things by ear. Guitar kind of happened, and I was using it just for writing at first. Then, I was writing so much that I began to realise that I knew how to play, and that's when I started getting nerdy about it.
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Before I'd even started doing music or having opportunities with my own music, I was studying production and business and stuff anyway. I knew there were so many jobs within the music industry - songwriting or session playing or working at a label - and I was really interested in how it all works.
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I love the folk-rock of the Seventies and the pop of the Eighties.
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When I first got signed, I bought a vintage guitar from the 1930s for £1000. I've bought a £400 SLR camera, too, which was quite extravagant.
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I think it's nice to work and then have success.
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I'm really busy, but I don't feel like I'm missing out on anything.