Zoë Heller (Zoë Kate Hinde Heller) Quotes
It's always a disappointing business confronting my own reflection. My body isn't bad. It's a perfectly nice, serviceable body. It's just that the external me- the study, lightly wrinkled, handbagged me- does so little credit to the stuff that's inside.
Quotes to Explore
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I was 17 when I was forced into marriage. I had no hand in it, and I didn't even enjoy being with the man. Also, I wanted to study, but no one listened to me. I wanted to move forward in life, it wasn't a happy situation. Because of some family problems, I had to stick around.
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The problem with writing a monthly book is that you're going through your work like a man running for a bus, red-faced and out of breath. There isn't time for reflection or critical self-examination.
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When you run into something interesting, drop everything else and study it.
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I can be collaborative, for instance, in situations where I go and study the artist's work before I start writing. Then I can at least try to write towards their style.
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I've seen a study in the last year that digital sound actually induces stress in the listener.
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Practice radical humility. Take no credit for your talents, intellectual abilities, aptitudes, or proficiencies. Be in a state of awe and bewilderment.
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I guess if you have an original take on life, or something about you is original, you don't have to study people who came before you. You don't have to mimic anybody. You just have a gut feeling inside, an instinct that tells you what's right for you, and you can't do it in any other way.
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My director is usually aware of what works for me and what doesn't. For 'Srimanthudu,' I have to give full credit to director Koratala Sivagaru for handling my character the way he did.
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Bernie Madoff is probably more nuanced then I'm giving him credit for, but I just couldn't get under his skin.
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The study of law left me unsatisfied, because I did not know the aspects of life which it serves. I perceived only the intricate mental juggling with fictions that did not interest me.
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Sidney Poitier and Sidney Lumet were instrumental in helping me get started as the first black composer to get name credit for movie scores.
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I have never known a really chic woman whose appearance was not, in large part, an outward reflection of her inner self.
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Telling stories has been a compulsion of mine since I could physically say, 'Once upon a time...' But in high school, I realized I could study creative writing in college and actually pursue it as a viable career.
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I began the study of medicine, impelled by a desire for knowledge of facts and of man. The resolution to do disciplined work tied me to both laboratory and clinic for a long time to come.
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Hip-hop lasted and survived all these years that you have to give it credit. Even though it's not up to people's expectations anymore, its still here, and that's says a lot.
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Human nature refers to what is in people but which they cannot study or work at achieving.
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I like to study failure, actually. My partner says, 'I want to know where I'll die so I'll never go there.' We want to see what has caused businesses to go bad. The biggest thing that kills them is complacency. ... The danger would always be that you rest on your laurels.
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Frantic administration of panaceas to the world is certainly discouraged by the reflection that 'this present' might be 'the world's last night'; sober work for the future, within the limits of ordinary morality and prudence, is not.
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When women love us, they forgive us everything, even our crimes; when they do not love us, they give us credit for nothing, not even our virtues.
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I tend to gravitate toward conflicted characters, and a character who is exploring chaos theory and population control and the difficulties of love and family is pretty rich.
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I'm really careful about not slamming my politics home in my shows, but I don't try to hide, either. The arts can be a great way to bring people together. I don't preach from the stage. I try to stay positive on solutions.
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I think home has become my friends and family, wherever they are.
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I'm actually a very quiet person off the golf course. I talk 150 miles per hour when I'm at the course, but when in private I very seldom ever open my mouth.
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It's always a disappointing business confronting my own reflection. My body isn't bad. It's a perfectly nice, serviceable body. It's just that the external me- the study, lightly wrinkled, handbagged me- does so little credit to the stuff that's inside.
