Elena Ferrante Quotes
I listened, I understood and I didn’t understand. Long ago she had threatened Marcello with the shoemaker’s knife simply because he had dared to grab my wrist and break the bracelet. From that point on, I was sure that if Marcello had just brushed against her she would have killed him. But toward Stefano, now, she showed no explicit aggression. Of course, the explanation was simple: we had seen our fathers beat our mothers from childhood. We had grown up thinking that a stranger must not even touch us, but that our father, our boyfriend, and our husband could hit us when they liked, out of love, to educate us, to reeducate us.
Quotes to Explore
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The first 'Monsters, Inc.' represents starting at Pixar for me, I have a special place in my heart for it. So to be able to tell a story with those ideas is an honor.
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I can't get my knickers in a twist about my age and ageing in an industry that caters to the ids of 14-year-olds.
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Most of the producers don't know what they do. The misconception of the producers' function is really not a misconception. Most producers don't do a very good job.
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This process is alchemy: its founder is the smith Vulcan.
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My purpose as a writer is to communicate in such a way as to challenge the thinking of readers and touch their hearts.
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I don't get hung up a lot on angst.
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I'm Cuban, so I know a lot of people who act like vampires. But wait, vampires have to be invited to your house, so maybe they are nothing like Latinos!
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History must share with reading, writing and arithmetic first rank as the most important subjects in the curriculum. Understanding the issues on which citizens of a republic are expected to vote is impossible without an understanding of the past.
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My stepfather gave me a Kodak camera when I was 17 years old. I started working at a local photo store in Le Havre, France, taking passport pictures and photographing weddings.
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I didn't make any money from my writing until much later. I published about 80 stories for nothing. I spent on literature.
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I had seen some films made about the underground music world in Tehran, and most of them were short documentaries about 30 or 40 minutes long. And I always wondered why they weren't publicized more. Really, their only flaw was they were short documentaries.
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Some of the most radical work is being done in the most commercially pop venues, and some of the most boring work is being done in avant-garde territory.
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New York is more where art is bought than where art is made.
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I was about 10 when I got into nuclear science. That was when that spark hit me. It took a few years of research, but when I was 14, I produced my first nuclear-fusion reaction.
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What you wear onstage is a reflection of your artistry.
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Conflict is the beginning of consciousness.
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There's not an awful lot that embarrasses me. I'm the kind of actress that absolutely believes in exposing myself.
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I talk to student-athletes. I try to get them to remember that they're not just athletes, but student-athletes. You need to get an education, keep your hands clean and try to represent the university.
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I have to start with elements of myself, which is what you always do as an actor.
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You can no longer just have a magazine that shows you this glossy impervious image of women - in the studio, artificial, wearing a push-up bra.
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Look at nature, work independently, and solve your own problems.
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I listened, I understood and I didn’t understand. Long ago she had threatened Marcello with the shoemaker’s knife simply because he had dared to grab my wrist and break the bracelet. From that point on, I was sure that if Marcello had just brushed against her she would have killed him. But toward Stefano, now, she showed no explicit aggression. Of course, the explanation was simple: we had seen our fathers beat our mothers from childhood. We had grown up thinking that a stranger must not even touch us, but that our father, our boyfriend, and our husband could hit us when they liked, out of love, to educate us, to reeducate us.
