Elena Ferrante Quotes
I listened, I understood and I didn’t understand. Long ago she had threatened Marcello with the shoemaker’s knife simply because he had dared to grab my wrist and break the bracelet. From that point on, I was sure that if Marcello had just brushed against her she would have killed him. But toward Stefano, now, she showed no explicit aggression. Of course, the explanation was simple: we had seen our fathers beat our mothers from childhood. We had grown up thinking that a stranger must not even touch us, but that our father, our boyfriend, and our husband could hit us when they liked, out of love, to educate us, to reeducate us.
Quotes to Explore
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The first 'Monsters, Inc.' represents starting at Pixar for me, I have a special place in my heart for it. So to be able to tell a story with those ideas is an honor.
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Most of the producers don't know what they do. The misconception of the producers' function is really not a misconception. Most producers don't do a very good job.
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This process is alchemy: its founder is the smith Vulcan.
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I don't get hung up a lot on angst.
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I'm Cuban, so I know a lot of people who act like vampires. But wait, vampires have to be invited to your house, so maybe they are nothing like Latinos!
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History must share with reading, writing and arithmetic first rank as the most important subjects in the curriculum. Understanding the issues on which citizens of a republic are expected to vote is impossible without an understanding of the past.
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My stepfather gave me a Kodak camera when I was 17 years old. I started working at a local photo store in Le Havre, France, taking passport pictures and photographing weddings.
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I didn't make any money from my writing until much later. I published about 80 stories for nothing. I spent on literature.
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I had seen some films made about the underground music world in Tehran, and most of them were short documentaries about 30 or 40 minutes long. And I always wondered why they weren't publicized more. Really, their only flaw was they were short documentaries.
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Some of the most radical work is being done in the most commercially pop venues, and some of the most boring work is being done in avant-garde territory.
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New York is more where art is bought than where art is made.
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I was about 10 when I got into nuclear science. That was when that spark hit me. It took a few years of research, but when I was 14, I produced my first nuclear-fusion reaction.
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What you wear onstage is a reflection of your artistry.
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There's not an awful lot that embarrasses me. I'm the kind of actress that absolutely believes in exposing myself.
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I talk to student-athletes. I try to get them to remember that they're not just athletes, but student-athletes. You need to get an education, keep your hands clean and try to represent the university.
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I have to start with elements of myself, which is what you always do as an actor.
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I am jealous of all those people who live on the shore of Dal Lake.
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The talk shows in the States want celebrities, not authors. In France, it is different; writers are called upon to comment on everything. They have a very public role there.
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What the world is saying to us human beings is, 'Don't stick to the old ways, learn to think anew.' And that's what musicians do every day.
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For a prince should have two fears: one, internal concerning his subjects; the other, external, concerning foreign powers. From the latter he can always defend himself by his good troops and friends; and he will always have good friends if he has good troops.
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It's you, so I feel that a person who will understand you, a person who will find you is waiting out there. So just keep on trying your best.
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My boyfriend suggested I write two pages a day. He wouldn't take me out if I hadn't done my two pages. That's how I wrote my second novel.
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To you I am neither man nor woman. I come before you as an author only. It is the sole standard by which you have a right to judge me--the sole ground on which I accept your judgment.
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I listened, I understood and I didn’t understand. Long ago she had threatened Marcello with the shoemaker’s knife simply because he had dared to grab my wrist and break the bracelet. From that point on, I was sure that if Marcello had just brushed against her she would have killed him. But toward Stefano, now, she showed no explicit aggression. Of course, the explanation was simple: we had seen our fathers beat our mothers from childhood. We had grown up thinking that a stranger must not even touch us, but that our father, our boyfriend, and our husband could hit us when they liked, out of love, to educate us, to reeducate us.
