Elena Ferrante Quotes
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I now knew a method of speaking and writing that—by means of a refined vocabulary, stately and thoughtful pacing, a determined arrangement of arguments, and a formal orderliness that wasn’t supposed to fail—sought to annihilate the interlocutor to the point where he lost the will to object.
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She was like that, she threw things off balance just to see if she could put them back in some other way.
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I gave in continuously, with painful pleasure, to waves of unhappiness.
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It was marvelous to cross borders, to let oneself go within other cultures, discover the provisional nature of what I had taken for absolute.
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Move on another plane in the name of one's own difference.
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Everything in the world was in precarious balance, pure risk, and those who didn’t agree to take the risk wasted away in a corner, without getting to know life.
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In other words, the cultural education of any high-school student should include an introduction to the idea that a writer adapts his writing to ever-changing expressive needs and that a higher or lower note doesn't mean that the singer has changed.
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Amalia had the unpredictability of a splinter, I couldn't impose on her the prison of a single adjective.
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At most, I may write when I am disturbed by something. I have recently discovered the pleasure of finding written answers to written questions.
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At first I had great expectations, and even if I didn’t say so clearly to myself I was glad to be there with Gigliola Spagnuolo rather than with Lila. In some very secret part of myself I looked forward to a school where she would never enter, where, in her absence, I would be the best student, and which I would sometimes tell her about, boasting. But immediately I began to falter, many of the others proved to be better than me. I ended up with Gigliola in a kind.
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You can’t leave me here to hope, when in reality you’ve already decided everything.
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I saw clearly the mothers of the old neighborhood. They were nervous, they were acquiescent. They were silent, with tight lips and stooping shoulders, or they yelled terrible insults at the children who harassed them. Extremely thin, with hollow eyes and cheeks, or with broad behinds, swollen ankles, heavy chests, they lugged shopping bags and small children who clung to their skirts and wanted to be picked up. And, good God, they were ten, at most twenty years older than me.
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Love in my case is not indispensable to pleasure, nor is respect. Is it possible, therefore, that the disgust, the humiliation begin afterward, when a man subdues you and violates you at his pleasure solely because now you belong to him, love or not, respect or not?
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After that he began to talk excitedly about the plays of Beckett: Ah, how he liked those guys buried in the ground up to their necks; and how beautiful the statement was about the fire that the present kindles inside you; and, even though among the thousand evocative things that Maddy and Dan Rooney said he had had a hard time picking out the precise point cited by Lila, well, the concept that life is felt more when you are blind, deaf, mute, and maybe without taste or touch was objectively interesting in itself.
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Writers, because they write, are condemned never to be readers of their own stories...The memory of first putting a story into words will always prevent writers from reading their work as an ordinary reader would.
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I felt that not only in my book but in novels in general there was something that truly agitated me, a bare and throbbing heart, the same that had burst out of my chest in that distant moment when Lila had proposed that we write a story together. It had fallen to me to do it seriously. But was that what I wanted? To write, to write with purpose, to write better than I had already? And to study the stories of the past and the present to understand how they worked, and to learn, learn everything about the world with the sole purpose of constructing living hearts, which no one would ever do better than me, not even Lila if she had had the opportunity?
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The blood spurted from his neck and hit a copper pot hanging on the wall.
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As for the minor characters, it seemed natural for each of them to have his good or bad moment in the life of the protagonists and then slip into the background, just as when we think back on our existence and, of the many people who entered the flow of our lives, remember almost nothing.
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In the most absolute tranquility or in the midst of tumultuous events, in safety or danger, in innocence or corruption, we are a crowd of others. And this crowd is certainly a blessing for literature.
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The reasonableness of others and my own desire for tranquility got on my nerves. The breath built up in my throat, ready to vibrate with words of rage. I felt the need to quarrel, and in fact I quarreled first with our male friends, then with their wives or girlfriends, and finally I went on to clash with anyone, male or female, who tried to help me accept what was happening to my life.
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People died of carelessness, of corruption, of abuse, and yet, in every round of voting, gave their enthusiastic approval to the politicians who made their life unbearable.
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I cried and cried, as if I had carelessly lost somewhere the most promising part of myself.
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I’ll give you treasure chests full of gold pieces, I know the value of spending time with you.
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What seemed to interest and absorb her most was that all that filth, all that chaos of broken limbs and dug-out eyes and split heads was then covered—literally covered—by a church dedicated to San Giovanni Battista and by a monastery of Augustinian hermits who had a valuable library. Ah, ah—she laughed—underneath there’s blood and above, God, peace, prayer, and books.