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Lila always knew what she wanted and got it; I don’t want anything, I’m made of nothing. I hoped to wake in the morning without desires. Once I was emptied—I imagined—the affection of Antonio, my affection for him will be enough.
 Elena Ferrante
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Oh of course it pleased me, it pleased me greatly. But I also felt as if my body had the consistency of egg shell, and a slight pressure on my arm, on my forehead, on my stomach would be enough to break it and dig out all my secrets, in particular those which were secrets even to me.
 Elena Ferrante
					 
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It's the people who love us or hate us - or both - who hold together the thousands of fragments we are made of.
 Elena Ferrante
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She became transparent skin over bones, her eyes drowning in violet wells, her hands damp spider webs.
 Elena Ferrante
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Today I feel some uneasiness in recalling how much I suffered, I have no sympathy for myself of that time.
 Elena Ferrante
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Good feelings are fragile, with me love doesn’t last. Love for a man doesn’t last, not even love for a child, it soon gets a hole in it. You look in the hole and you see the nebula of good intentions mixed up with the nebula of bad.
 Elena Ferrante
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If I could conceal from myself the impression that the life had been drained out of me like blood and saliva and mucus from a patient during an operation, maybe I could deceive Mario as well.
 Elena Ferrante
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Was it possible? She had taken me with her hoping that as a punishment my parents would not send me to middle school? Or had she brought me back in such a hurry so that I would avoid punishment? Or - I wonder today - did she want at different moments both things?
 Elena Ferrante
					 
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The university doesn’t free women but completes their repression.
 Elena Ferrante
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At first I had great expectations, and even if I didn’t say so clearly to myself I was glad to be there with Gigliola Spagnuolo rather than with Lila. In some very secret part of myself I looked forward to a school where she would never enter, where, in her absence, I would be the best student, and which I would sometimes tell her about, boasting. But immediately I began to falter, many of the others proved to be better than me. I ended up with Gigliola in a kind.
 Elena Ferrante
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As for the minor characters, it seemed natural for each of them to have his good or bad moment in the life of the protagonists and then slip into the background, just as when we think back on our existence and, of the many people who entered the flow of our lives, remember almost nothing.
 Elena Ferrante
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My tone must have seemed hostile, even though I wasn’t angry or offended; there was just a touch of sarcasm. He tried to respond but he did so in an awkward, muddled way, half in dialect, half in Italian. He said he was sure that his mother was wandering around Naples as usual.
 Elena Ferrante
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I let his rose wither in a vase on my desk, a vase painfully empty of flowers since the long-ago time when, on my birthday, Mario would give me a cattleya, in imitation of Swann. In the evening the flower was already black and bent on its stem. I threw it in the trash.
 Elena Ferrante
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And the plane began it's takeoff. How exciting it was to lift off from the ground with a jerk and see the houses that became parallelepipettes and the streets that changed into strips and the countryside that was reduced to a green patch and the sea that inclined like a compact paving stone and the clouds that fell below in a landslide of soft rocks and the anguish, the pain, the very happiness that became a part of a unique luminous motion. It seemed to me that flying subjected everything to a process of simplification and I sighed, I tried to lose myself. Every so often I asked Nino "are you happy?" and he nodded yes, kissed me. At times I had the impression that the floor under my feet, the only surface I could count on, was trembling.
 Elena Ferrante
					 
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What seemed to interest and absorb her most was that all that filth, all that chaos of broken limbs and dug-out eyes and split heads was then covered—literally covered—by a church dedicated to San Giovanni Battista and by a monastery of Augustinian hermits who had a valuable library. Ah, ah—she laughed—underneath there’s blood and above, God, peace, prayer, and books.
 Elena Ferrante
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Writers, because they write, are condemned never to be readers of their own stories...The memory of first putting a story into words will always prevent writers from reading their work as an ordinary reader would.
 Elena Ferrante
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In fiction we say and recognize things about ourselves, which, for the sake of propriety, we ignore or don't talk about in reality.
 Elena Ferrante
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Nino has something that's eating him inside, like Lila, and it's a gift and a suffering; they aren't content, they never give in, they fear what is happening around them.
 Elena Ferrante
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Elena Ferrante is the author of several novels. There is nothing mysterious about her, given how she manifests herself - perhaps even too much - in her own writing, the place where her creative life transpires in absolute fullness.
 Elena Ferrante
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As long as one writes only for oneself, writing is a free act by means of which, to use an oxymoron, one secretly opens oneself.
 Elena Ferrante
					 
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The next day, at breakfast and during the entire drive to Milan, he talked passionately about what he considered the most exciting period of his life, the years between 1945 and 1948. I heard in his voice a genuine melancholy, which vanished, however, when he went on to describe with an equally genuine enthusiasm the new climate of revolution, the energy—he said—that was infusing young and old. I kept nodding yes, struck by how important it was for him to convince me that my present was in fact the return of his thrilling past.
 Elena Ferrante
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You wanted to write novels, I created a novel with real people, with real blood, in reality.
 Elena Ferrante
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To be healthy, and desperate to be a Natasha at the ball with Prince Andrei or Kuryagin, and instead to be sitting alone, staring at the ceiling, while listening to the echo of the music, the sound of voices, the laughter.
 Elena Ferrante
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In the first year of Martha`s life I discovered that I no longer loved my husband. A hard year, the baby barely slept and wouldn`t let me sleep. Physical tiredness is a magnifying glass. I was too tired to study, to think, to laugh, to cry, to love that man who was too intelligent, too stubbornly involved in his wager with life, too absent. Love required energy, I hand none left. When he began with caresses and kisses, I became anxious, I felt that I was a stimulus abused for his solitary pleasures.
 Elena Ferrante
					 
