Elena Ferrante Quotes
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I reshuffled the cards that by now we knew well enough. I spoke of the before and the after, of the old generation and of ours, of how we were different, of how she and Stefano were different. And this last argument made a breach, seduced her, I returned to it passionately. She listened to me in silence, evidently she wanted to be helped to compose herself, and slowly she did.
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And they thought that what had happened before was past and, in order to live quietly, they placed a stone on top of it, and so, without knowing it, they continued it, they were immersed in the things of before, and we kept them inside us, too.
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We had the same sensitivity to beautiful things, the same need to enjoy them, the same need to search for the right words to say how sweet the night was, how magical the moon, how the sea sparkled, how two souls were able to meet and recognize each other in the darkness, in the fragrant air.
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I said to myself every day: I am what I am and I have to accept myself; I was born like this, in this city, with this dialect, without money; I will give what I can give, I will take what I can take, I will endure what has to be endured.
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The circle of an empty day is brutal and at night it tightens around your neck like a noose.
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In order not to cut out a large part of one's private life, the creative work should not swallow up every other form of self-expression. But that is the most complicated thing.
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People died of carelessness, of corruption, of abuse, and yet, in every round of voting, gave their enthusiastic approval to the politicians who made their life unbearable.
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I saw her fly toward the asphalt and felt a cruel joy. She seemed to me, as she fell, an ugly creature.
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We told each other everything, even the little things, and were happy.
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Lies are better than tranquilizers.
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I would always be afraid: afraid of saying the wrong thing, of using an exaggerated tone, of dressing unsuitably, of revealing petty feelings, of not having interesting thoughts.
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The angel of death, she said proudly, touched me when I was a child, with the exact same illness as now, but I screwed him, even though I was just a girl. And you'll see, I'll screw him again, because I know how to suffer. I learned at the age of ten, I haven't stopped since. And if you know how to suffer, the angel respects you, after a while he goes away. As she spoke she pulled up her dress and showed me the injured leg like the relic of an old battle. She smacked it, observing me with a fixed half-smile on her lips and terrified eyes.
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Elena Ferrante is the author of several novels. There is nothing mysterious about her, given how she manifests herself - perhaps even too much - in her own writing, the place where her creative life transpires in absolute fullness.
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...but I was bored, I could scarcely understand them. I started to borrow novels from the circulating library, and read one after the other. But in the long run they didn't help. They presented intense lives, profound conversations, a phantom reality more appealing than my real life. So, in order to feel as if I were not real, I sometimes went...
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Maybe I should tell her that things without a meaning are the most beautiful ones.
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Unlike stories, real life, when it has passed, inclines toward obscurity, not clarity.
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What seemed to interest and absorb her most was that all that filth, all that chaos of broken limbs and dug-out eyes and split heads was then covered—literally covered—by a church dedicated to San Giovanni Battista and by a monastery of Augustinian hermits who had a valuable library. Ah, ah—she laughed—underneath there’s blood and above, God, peace, prayer, and books.
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My tone must have seemed hostile, even though I wasn’t angry or offended; there was just a touch of sarcasm. He tried to respond but he did so in an awkward, muddled way, half in dialect, half in Italian. He said he was sure that his mother was wandering around Naples as usual.
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Accept that to be adult is to disappear, is to learn to hide to the point of vanishing?
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I think our sexuality is all yet to be recounted and that the rich male literary tradition constitutes a huge obstacle.
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I became disenchanted. My first impression, that of finding myself part of a fearless battle, passed. The trepidation at every exam and the joy of passing it with the highest marks had faded. Gone was the pleasure of re-educating my voice, my gestures, my way of dressing and walking, as if I were competing for the prize of best disguise, the mask worn so well that it was almost a face.
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Nino has something that's eating him inside, like Lila, and it's a gift and a suffering; they aren't content, they never give in, they fear what is happening around them.
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One April afternoon, right after lunch, my husband announced that he wanted to leave me.
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I there first felt the impact of time, the force that was pushing me toward forty, the velocity with which life was consumed, the concreteness of the exposure to death: If it's happening to her, I thought, there's no escape, it will happen to me as well.