-
In the first year of Martha`s life I discovered that I no longer loved my husband. A hard year, the baby barely slept and wouldn`t let me sleep. Physical tiredness is a magnifying glass. I was too tired to study, to think, to laugh, to cry, to love that man who was too intelligent, too stubbornly involved in his wager with life, too absent. Love required energy, I hand none left. When he began with caresses and kisses, I became anxious, I felt that I was a stimulus abused for his solitary pleasures.
Elena Ferrante
-
I didn't hear what he said, but I felt like laughing at his artificial imperiousness. The laugh took away every desire to attack, drained me... React. I began to tidy up. When I had finished I began again, a kind of roundup of everything that didn't appear to be in order. Lucidity, determination, hold on to life.
Elena Ferrante
-
Everything about these times, I have to say, worries me, but that the majority of the human race - women, children, men - is subjected in various ways to the effects of inequality seems to me at the core of all the problems that consume us. Above all, inequality generates an extraordinary waste of minds and creative energies, which, if they were trained and put to use, would likely make our history an active laboratory for repairing the damage we’ve caused so far - or at least of controlling its effects, rather than an unbearable list of horrors. - from Incidental Inventions
Elena Ferrante
-
You wanted to write novels, I created a novel with real people, with real blood, in reality.
Elena Ferrante
-
Amalia had the unpredictability of a splinter, I couldn't impose on her the prison of a single adjective.
Elena Ferrante
-
We had grown up thinking that a stranger must not even touch us, but that our father, our boyfriend, and our husband could hit us when they liked, out of love, to educate us, to reeducate us.
Elena Ferrante
-
Today I feel some uneasiness in recalling how much I suffered, I have no sympathy for myself of that time.
Elena Ferrante
-
Unlike stories, real life, when it has passed, inclines toward obscurity, not clarity.
Elena Ferrante
-
Evidently what in the fiction of the story serves in all innocence to reach the heart of the reader becomes an abomination for one who feels the echo of the facts she has really lived.
Elena Ferrante
-
How foolish to think you can tell your children about yourself before they're at least fifty. To ask to be seen by them as a person and not as a function. To say : I am your history, you begin from me, listen to me, it could be useful to you.
Elena Ferrante
-
What I expect from a good story is that it will tell me today what I can't know from any other source but that story, from its unique way of putting something into words, from the feeling that it implies.
Elena Ferrante
-
I felt that not only in my book but in novels in general there was something that truly agitated me, a bare and throbbing heart . . . But was that what I wanted? To write, to write with purpose, to write better than I had already? And to study the stories of the past and the present to understand how they worked, and to learn, learn everything about the world with the sole purpose of constructing living hearts ...
Elena Ferrante
-
My tone must have seemed hostile, even though I wasn’t angry or offended; there was just a touch of sarcasm. He tried to respond but he did so in an awkward, muddled way, half in dialect, half in Italian. He said he was sure that his mother was wandering around Naples as usual.
Elena Ferrante
-
The waste of intelligence. A community that finds it natural to suffocate with the care of home and children so many women’s intellectual energies is its own enemy and doesn’t realize it.
Elena Ferrante
-
She was suggesting that I separate also from my third child. She seemed to be saying: Imma would be better off and so would you. I replied: If Imma leaves me, too, my life will no longer have meaning. But she smiled: Where is it written that lives should have meaning?
Elena Ferrante
-
Maybe I should tell her that things without a meaning are the most beautiful ones.
Elena Ferrante
-
The rules say that to tell a story you need first of all a measuring stick, a calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.
Elena Ferrante
-
She went like that saint who, although she still has her head on her shoulders, is carrying it in her hands, as if it had already been cut off.
Elena Ferrante
-
He’s marrying me to have a faithful servant, that’s the reason all men get married.
Elena Ferrante
-
My life forces me to imagine what hers would have been if what happened to me had happened to her, what use she would have made of my luck. And her life continuously appears in mine, in the words that I've uttered, in which there's often an echo of hers, in a particular gesture that is an adaptation of a gesture of hers, in my less which is such because of her more, in my more which is the yielding to the force of her less.
Elena Ferrante
-
If I could conceal from myself the impression that the life had been drained out of me like blood and saliva and mucus from a patient during an operation, maybe I could deceive Mario as well.
Elena Ferrante
-
Finally, I spoke of the necessity of recounting frankly every human experience, including, I said emphatically, what seems unsayable and what we do not speak of even to ourselves.
Elena Ferrante
-
A book, an article, could make noise, but ancient warriors before the battle also made noise, and if it wasn’t accompanied by real force and immeasurable violence it was only theater.
Elena Ferrante
-
...a woman without love for her origins is lost.
Elena Ferrante
