Elia Suleiman Quotes
People in power tend to find poetry dangerous to them because it is dislocating, they can't catch it, can't control it. They prefer coherence, what's blunt and has clarity.
Quotes to Explore
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As far as control and stuff is concerned, I never had any more in my life than for that All-Star game in 1934.
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International institutions are composed of governments. Governments control their own military forces and police.
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I have three Defensive Players of the Year. Only one other player has done that. But being a defensive lineman, it's hard to control the game.
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The greater the power, the more dangerous the abuse.
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I think the biggest thing is voice. Whose voice is it? Who gets to control the narrative?
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If I were to say at any point that I feel really confident or really in control, that would be a mistake. Because I don't. I always see where I didn't do things the right way.
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What we know is that the environmental movement had a series of dazzling victories in the late '60s and in the '70s where the whole legal framework for responding to pollution and to protecting wildlife came into law. It was just victory after victory after victory. And these were what came to be called 'command-and-control' pieces of legislation.
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The good thing about execution issues are that they are within our control.
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Poetry is the experience of liberty. The poet risks himself, chances all on the poem's all with each verse he writes.
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If your daily life seems poor, do not blame it; blame yourself that you are not poet enough to call forth its riches; for the Creator, there is no poverty.
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Genuine poetry can communicate before it is understood.
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I love Sufism as I love beautiful poetry, but it is not the answer. Sufism is like a mirage in the desert. It says to you, come and sit, relax and enjoy yourself for a while.
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What we can control is our readiness.
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When the modern movement began, starting perhaps with the paintings of Manet and the poetry of Baudelaire and Rimbaud, what distinguished the modern movement was the enormous honesty that writers, painters and playwrights displayed about themselves. The bourgeois novel flinches from such notions.
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I certainly derived my skills as a prose writer from my scrutiny of poetry and of the individual word. But schools don't do things like that anymore - tracking words down to their roots.
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THE ONLY WAY YOU CAN CONTROL PEOPLE IS TO LIE TO THEM. You can write that down in your book in great big letters. The only way you can control anybody is to lie to them.
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Judaism’s campaign to make divinity invisible has never fully succeeded. Images are always eluding moral control, creating the brilliant western art tradition. Idolatry is fascism of the eye. The western eye will be served, with or without the consent of conscience.
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I think President Obama is the most radical president this nation's ever seen. And in particular, I think he is a true believer in government control of the economy and of our everyday lives. In my judgment, we are facing what I consider to be the epic battle of our generation, quite literally the battle over whether we remain a free market nation.
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Many young poets, nowadays, are insured against everything. For them poetry is a game like court tennis or squash racquets - one they learned at college - and they play it with propriety, as part of their social and academic existence; their poems are occasional verse for which life itself is only one more occasion.
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Someday. That's a dangerous word. It's really just a code for 'never'.
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I've had the liberty of having a lot of control in the offences I've been a part of because I get the game pretty well, and I pick things up fast.
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I have witnessed how education opens doors, and I know that when sound instruction takes place, students experience the joys of new-found knowledge and the ability to excel.
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People in power tend to find poetry dangerous to them because it is dislocating, they can't catch it, can't control it. They prefer coherence, what's blunt and has clarity.
