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Good teaching is one-fourth preparation and three-fourths pure theatre.
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The characters that I create are parts of myself and I send them on little missions to find out what I don’t know yet.
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The act of longing for something will always be more intense than the requiting of it.
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The race of children possesses magically sagacious powers.
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One is taught by experience to put a premium on those few people who can appreciate you for what you are.
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Dreams say what they mean, but they don't say it in daytime language.
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None of us suddenly becomes something overnight. The preparations have been in the making for lifetime.
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Actors between plays are like ghosts looking for bodies to inhabit.
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I confess, right at the start, to the doubts - and sometimes outright dreads - that go with me as I climb the stairs to my study in the morning, coffee mug in hand: I have to admit to the habitual apprehension mixed with a sort of reverence, as I light the incense . . . and wonder: what is going to happen today? Will anything happen? Will the angel come today?
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...Some things...arrive in their own mysterious hour, on their own terms and not yours, to be seized or relinquished forever.
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The more you respect and focus on the singular and the strange, the more you become aware of the universal and infinite.
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You're supposed to get tired planting bulbs. But it's an agreeable tiredness.
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Something's your vocation if it keeps making more of you.
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Hope does not necessarily have to take an object ...
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The best antidote I have found is to yearn for something. As long as you yearn, you can't congeal: There is a forward motion to yearning.
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I read constantly. If I don't have a good book, I'm beside myself.
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What did a few ripples in the flesh matter when, all too soon, now or later, that flesh would be making its return journey to dust?
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I believe that with enough practice and good faith, you can learn to recognize when the work is achieved.
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Who wanted to creep along in comfort when there was one chance in a thousand of flying?
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Heroics are not easily had for the young in our times. Perhaps that is why they go to such extremes to create their own dangers.
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During the act of writing I have told myself something that I didn't know I knew.
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Life is a disease ...
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Negative people present us with an accelereted personal growth opportunity.
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I work continuously within the shadow of failure. For every novel that makes it to my publisher's desk, there are at least five or six that died on the way. And even with the ones I do finish, I think of all the ways they might have been better.