Elisabeth Murdoch Quotes
Quotes to Explore
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Almost all our suffering is the product of our thoughts. We spend nearly every moment of our lives lost in thought, and hostage to the character of those thoughts. You can break this spell, but it takes training just like it takes training to defend yourself against a physical assault.
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Our plans never turn out as tasty as reality.
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Sometimes people can put way too much emphasis on looking 'hot' which can be stressful and put you in your head.
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The human rights record within China seems to rise and fall over time, but it's very clear that in the run up to the 2008 Beijing Olympics and since then, there's been a greater intolerance of dissent and the human rights record of China has been going in the wrong direction.
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I have more of a desire to write songs about being an independent woman than being in love, songs about getting up and moving on even if I have a broken heart.
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One can't write for all readers. A poet cannot write for people who don't like poetry.
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We talk a lot about hope, helping, and teamwork. Our whole message is that we are more powerful together.
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When I am cast in a movie where I feel that the woman's part is more interesting, I usually start thinking about Spencer Tracy and Fred Astaire. They seem to be the most clear actors when working with women.
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Everyone learns from their experiences.
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Be happy that you're growing older, that you're maturing, that you're smarter, that you're wiser.
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But is it not the fact that religion emanates from the nature, from the moral state of the individual? Is it not therefore true that unless the nature be completely exercised, the moral state harmonized, the religion cannot be healthy?
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Giving a phenomenon a label does not explain it.
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Amateurs hope, professionals work.
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He was so excited. He cut out pictures of these landscapes and neighborhoods and kind of really tried to give you a feel of the movie. It was kind of cute but at the same time it really showed his enthusiasm for it.
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The Backstreet Boys were so ten years ago. Whatever.
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There are staples to my show. I have to be conscious about switching things up because I know people who saw me last year will say, 'He did that last time.' But if certain things work, they work.
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Silk Road to Ruin has all the analysis and it's structured very well. I rely on my notes more and I use direct quotes. But there's nothing like writing about it right away.
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For one human being to love another; that is perhaps the most difficult of all our tasks, the ultimate, the last test and proof, the work for which all other work is but preparation.
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Someone once said about me that I talk to everyone the same, no matter what age they are. I don't see kids and adults. I see everyone the same.
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Mapping and visualization is a huge area of work and is of interest to many people. We're working on reinventing a new kind of 3D cartography to make it easier to tell stories with 3D maps.
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I did not think I would be able to do myself justice if I had to speak to the players in English. I would not be able to get my emotions and feelings across.
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I'm not interested in leaving it open-ended. That would just cause me frustration. I wouldn't be satisfied. What's really cool about Fringe, and one of the things we did do right, was that the way we chose to tell the story was that, with every season, there was a closure and then a new chapter. That allowed us to actually make the closure.
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It's very tiring, being so old. But I do love living.
