Oscar Niemeyer Quotes
Here, then, is what I wanted to tell you of my architecture. I created it with courage and idealism, but also with an awareness of the fact that what is important is life, friends and attempting to make this unjust world a better place in which to live.
Quotes to Explore
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People idealize or reminisce about their 20s, but nobody tells you beforehand that it's hard and unglamorous and often very unpleasant.
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If you want to change things, it requires bravery.
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If something is mine, then I want to keep it.
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Guinea pigs are quite difficult to draw, I think, because they're so furry.
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My way of relaxing was always doing the opposite and playing the drums, but I need to be able to actually chill.
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A good indignation brings out all one's powers.
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I went to high school in New York City. So, I grew up in New Jersey my whole life, and I was watching all the people and all the kids that I met there become so jaded.
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I love comedy because I'm naturally a very silly person.
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Whether you're keeping a journal or writing as a meditation, it's the same thing. What's important is you're having a relationship with your mind.
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Ain't no place like New Orleans. It's one of kind.
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I would caution all of us or I would remind all of us that any candidate that we support, they are going to be flawed.
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Working pretty much nonstop as an artist, the hardest thing is to know what to do with yourself when you have some time off. You struggle with yourself to take a vacation.
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First and foremost when you're doing comedy, you gotta be relevant and applicable to the times that you're living in. When you try and just do comedy about who is dating who and lifestyle jokes, it gets tiring after a while. It's hard to be funny in that realm.
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I started out in a professional choir at 13 years old. We traveled to different places, and I had a close relationship with the leaders of our choir. We were recording when I was 15, so it wasn't like I had to wait until 25 to find out certain things.
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I would have to say that I have to concentrate more when I'm doing comedy. There are so many details that make up any character, but developing a character for a dramatic role seems to come more naturally.
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I am too weary to listen, too angry to hear.
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I don't want to put one innocent person to death to put 99 that are guilty to death. So philosophically I'm a tooth-for-tooth guy, but the reality is the death penalty as public policy is flawed.
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I think subsuming political and economic conflicts into some grand 'clash of civilisations' theory or 'the West versus the rest' binary is a particularly insidious form of ideological deception.
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2005 was a great year for me for fantastic roles that nobody saw.
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(We are) the herpes of American cinema (because) we aren't going anywhere...
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They were hunting in a place that rich people pay to hunt at, okay? They actually... they drive them to where the animals are! That is not fucking hunting! There's a fence around the place! Son of a bitch! They means they go, when they're tracking the deer, 'Oh, look, we got 'em in the corner!' They turned a petting zoo into Auschwitz!
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There is no strife, no prejudice, no national conflict in outer space as yet. Its hazards are hostile to us all. Its conquest deserves the best of all mankind, and its opportunity for peaceful cooperation many never come again.
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The powers of congress must be defined, but their means must be adequate to the purposes of their constitution. It is possible there may be abuses and misapplications; still, it is better to hazard something than to hazard at all.
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Here, then, is what I wanted to tell you of my architecture. I created it with courage and idealism, but also with an awareness of the fact that what is important is life, friends and attempting to make this unjust world a better place in which to live.
