Brando Skyhorse Quotes
When you’re a child, you think your family works in a straight line. Then you get older and find out where the curves are.
Quotes to Explore
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My personal opinion is that I'm in the media too much. I'm not a politician, I'm a businessman. I would like to be without any extra visibility.
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I was born at the age of twelve on a Metro-Goldwyn-Mayer lot.
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Acting is in your soul.
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Brands mature over time, like a marriage. The bond you feel with your spouse is different than when you first met each other. Excitement and discovery are replaced by comfort and depth.
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I did almost two years on 'One Life to Live,' so I was thinking, 'Oh yeah, I'm an actor now.'
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What I'm interested in is the fascinating image of young leaders... you know, young people leading in different fields. You see athletes and people in gymnastics, where the requirement is that you are supple and very, very young... 11... and by the time you're 14, you're already over the hill.
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Sometimes I hope that through osmosis I might get a workout - just by wearing the clothes.
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When I write in Hebrew, I don't look for sophistication in music; it's just pure emotion that comes out.
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I truly loved Jason Reitman. I was there on his first film, 'Thank You For Smoking,' and I'd go work with him to do anything.
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The only ones who like Milton Berle are his mother - and the public.
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I use more makeup now then I did before. I didn't use to wear really that much, and I didn't know how to do makeup, but now I know how to do it a bit more. I can do eyes and makeup in general more. I do like my own lipstick as well.
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Seriously, who doesn't want to slap a 27-year-old movie star?
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I still haven't found the humor in getting hit by a cement truck. My knees still hurt when I think about it, so no jokes about that yet.
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I think it's really important to be conscious of yourself and the world around you. For me, that meant reading a lot and reporting.
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There have been times - and not just on 'The Newsroom,' but on 'The West Wing,' 'Sports Night,' 'Studio 60'... - where it was hard to look the cast and crew in the eye, when I put a script on the table that I knew just wasn't good enough.
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I think every professor and writer is in some way an exhibitionist because his or her normal activity is a theatrical one. When you give a lesson the situation is the same as writing a book. You have to capture the attention, the complicity of your audience.
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I realised a little bit to my astonishment that I can give a lecture for a thousand people, and there will be this tumultuous applause, so, you know, I have the feeling well, it can't be all that bad.
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Distance doesn't exist, in fact, and neither does time. Vibrations from love or music can be felt everywhere, at all times.
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I was both charmed and moved by Midday with Buuel, Mexican filmmaker and writer Claudio Isaac's personal and very poetic recollection of his friendship with his mentor, the Spanish surrealist Luis Buuel.
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When I'm singing I feel like I'm talking to someone. I'm in conversation when I perform - either with myself or with whomever is listening.
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You cannot make yourself have a flashback, nor will you have one unless you are emotionally ready to remember something. Once remembered, the memory can help you to face more of the truth. You can then express your pent-up feelings about the memory and continue on your path to recovery. Think of the flashback as a clue to the next piece of work. No matter how painful, try to view it as a positive indication that you are now ready and willing to remember.
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I was exercising so hard that I began to lose weight.
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I did my acting performance in 'Roger Rabbit.' I think I did a voice-over also in 'Osmosis Jones' and I directed an episode of my show years ago, 'Tales from the Crypt' and that's my endeavors in the non-producer oriented ranks.
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When you’re a child, you think your family works in a straight line. Then you get older and find out where the curves are.
