Jack Osbourne Quotes
Quotes to Explore
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I struggle if I have chaos around me, but at the same time, if I don't have it, I'm uncomfortable. It's a strange thing: If I don't have chaos, I create it.
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I really want to have actors contribute their own ideas, with phrasings and ideas on all levels.
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Letters are like wine; if they are sound they ripen with keeping. A man should lay down letters as he does a cellar of wine.
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Your papers are marked when you go to school, but you can't mark the character.
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I grew up playing basketball and baseball. I've always been active because my dad played professional football, so sports and working out have always been a part of my life.
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Community colleges are one of America's great social inventions a gateway to the future for first time students looking for an affordable college education, and for mid-career students looking to get ahead in the workplace.
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Movies I liked growing up were like Francis Ford Coppolla movies and Scorsese movies.
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The chief value of money lies in the fact that one lives in a world in which it is overestimated.
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You have to shelve a lot of your inspiration. There's only so much you can do with one record.
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I am a certified yoga teacher and I love to cycle and swim.
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Pain is real when you get other people to believe in it. If no one believes in it but you, your pain is madness or hysteria.
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Happiness is nothing but temporary moments here and there - and I love those. But I would be bored out of my mind if I were happy all the time.
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Great research universities around the world are visible not just through their quality graduates but as knowledge creators and technology developers.
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The Chinese are brought up to believe that you should be silent in class. The teacher speaks, and you just listen and absorb what they say.
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It is not enough for me to ask question; I want to know how to answer the one question that seems to encompass everything I face: What am I here for?
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Belief is thought at rest.
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I follow a simple formula when I compose. I ask myself, 'What would the audience want to hear?' and 'Why would they buy my CDs?' And the process of answering these questions through music follows. Sometimes, it works. Sometimes, it backfires.
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A thing I do with all my characters is I break them down into one of three things: mind, heart, and groin. I figure out where they come from and what they utilize most.
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In a sense, 'Schmidt' is the most Omaha of my films. But have I gotten it right? I'm not sure. Did Fellini get Rome right? Did Ozu get Tokyo right?
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I could care less about the particular. I like to make music.
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When I read out loud in class, it was a joy for everyone else because I would mispronounce things so badly. I used to try to count how many people were in front of me and then work out which paragraph I would have to read out and start trying to learn it. And I would sit there thinking, 'Please let the bell go so that it doesn't get round to me.'
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There's a stigma attached to 'pop music,' like it's a taboo word. It used to make my skin crawl when people said it, and I'd say, 'I'm not a pop star! I want to be a respected musician!' But I think people have changed the way they think about it.
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Kelly, there are people in Somalia who would die for a banana.