Ellen Wittlinger Quotes
I watched her walk away, first thinking: good riddance – who needs this abuse? And then after a minute thinking: she never really understood me anyway. Which rapidly changed to: I never understood her at all. And before long I was watching her small back disappear and thinking: there goes the only person who ever gave a damn about me.
Quotes to Explore
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Young audience, in the age group of 16-33 years, constitutes the main viewership of Bollywood films.
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A movie is about human beings, about humanity.
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I'm not one icon. I'm every icon. I'm an icon that is made out of all the colors on the palette at every time. I have no restrictions. No restrictions.
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Jazz is the art of thinking out loud.
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Youth is really in your attitude, not in what you look like.
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You see and work with many of the same people over and over again; they are all specialists in what they do. I could never do their jobs, and they say they wouldn't know how to start to do a warm-up.
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Any glamorous moment you might mistake me for having is always pretend.
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He is energetic only in evading responsibility.
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I have been in this business for over 30 years. I've seen a lot of development programmes. They don't all run smoothly.
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If you think about what acting is supposed to be, my job is to disappear.
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I loved being on the field playing and teaching softball. I didn't like the fact that a camp had my name on it and I didn't know the logistics of what was going on. I wanted to make sure I was involved in a camp that did things right.
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I often say that Arizonans should decide what's best for Arizona.
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I think that money spoils most things, once it becomes the primary motivating force.
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When you expand your ability to see, you understand that there are a lot of false choices being offered.
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The profit motive is not only fundamental to our ability to reward shareholders and pay employees; it's fundamental to excellent journalism. Far from corrupting the craft, profits enhance it. Expansion drives diversity and diversity protects and strengthens our craft.
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I'm reading Joe Eszterhas biography; it's fabulous. Every time he made a movie, he fought with the director or the producer over the ending.
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I always wanted to do a movie that deals with America's horrific past with slavery, but the way I wanted to deal with it is - as opposed to doing it as a huge historical movie with a capital H - I thought it could be better if it was wrapped up in genre.
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My life may be much happier to-morrow.Hunger and love that press against the body,The two eternal needs we recognise,Desires that so relentlessly pursue one,May get me down or raise me to the skiesAnd make me a Don Bradman or Don Juan.
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I was born William. My father was William. I came from a big family, I hated being called Billy. Willem's a nickname; it's a Dutch name, very common in the Netherlands.
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I watched her walk away, first thinking: good riddance – who needs this abuse? And then after a minute thinking: she never really understood me anyway. Which rapidly changed to: I never understood her at all. And before long I was watching her small back disappear and thinking: there goes the only person who ever gave a damn about me.
