Emily Remler Quotes
If I take a lick from so and so, I'm not going to get that many variations from it, because their phrases are just based on a scale. That's why I say Wes Montgomery has more substance than others. I find myself listening to the older players. You see one bar of theirs and you can get one hundred more licks out of it.
Quotes to Explore
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We're a nation of celebrity and hero worshipers, so much so that we make heroes out of those who aren't, such as John Wayne: a patriotic, red-blooded, two-fisted American who spent the Second World War in the trenches on the movie lots of Hollywood.
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I fantasized being a broadcaster.
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Carelessness makes me cross. And unkindness.
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I don't have the kind of style that I feel like would serve any and everyone.
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Any writer will be happy and good only if they know what they're doing and why they're doing it.
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I never believe them when they say that because you really have to sort of be aware of what's going on in the news in order to get the jokes on the show.
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We love playing music but we're too weird to play music.
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I'm an actor first and foremost, who happens to do improv. I've also done sitcoms, I've done stage.
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I love playing sports. I'm overly eager and aggressive and not very skilled, so it leads to many small injuries.
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I've decided to recast myself as Utopian. I like this landscape of the M25 and Heathrow. I like airfreight offices and rent-a-car bureaus. I like dual carriageways. When I see a CCTV camera, I know I'm safe.
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I don't mind playing spoiler.
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I have never tried to compare myself to anyone else.
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In every European nation, there have been problems in history when the society was too divided.
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I watched the first moon landing at a bar in Paducah, Kentucky, a fact worth mentioning only because I still remember how suddenly silence descended on this raucous place when Neil Armstrong started coming down that ladder.
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I'm a normal guy.
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We don't have to sit by while Trump uses his enormous global platform to undermine our national security. We would love to be able to actually force Twitter's hand to live up to its rules, explicitly forbidding hate speech and encouraging violence.
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That's the joy of art - it should be dangerous and challenging but it's just art - it's safe.
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For me, the most effective cabaret evenings have been some of the most personal ones, where the performer is comfortable enough to simply be themselves.
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Now, I'm a dad, I'm an adult. I've been solo for 25 years; I've been in other people's groups but I'm solo [in a broader sense]. I stopped comparing myself to other people's maps when I was maybe 24, really. The trajectory that I've gone on is not one that I can compare with anybody else.
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In a time where the world is becoming personalized, when the mobile phone, the burger, everything has its own personal identity, how should we perceive ourselves and how should we perceive others?
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I think anybody that is going to stand with Nick Diaz and try to throw down, that is a big mistake.
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I learned in the computer game business early on that all senses are not equal. The best example is, you're listening to a radio play and you're driving down the road, and suddenly you realize you haven't seen the road in five minutes. It's because your visual cortex has been partying with your imagination, basically.
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If I take a lick from so and so, I'm not going to get that many variations from it, because their phrases are just based on a scale. That's why I say Wes Montgomery has more substance than others. I find myself listening to the older players. You see one bar of theirs and you can get one hundred more licks out of it.
