Emily Remler Quotes
If I take a lick from so and so, I'm not going to get that many variations from it, because their phrases are just based on a scale. That's why I say Wes Montgomery has more substance than others. I find myself listening to the older players. You see one bar of theirs and you can get one hundred more licks out of it.
Quotes to Explore
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We're a nation of celebrity and hero worshipers, so much so that we make heroes out of those who aren't, such as John Wayne: a patriotic, red-blooded, two-fisted American who spent the Second World War in the trenches on the movie lots of Hollywood.
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I fantasized being a broadcaster.
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Carelessness makes me cross. And unkindness.
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I don't have the kind of style that I feel like would serve any and everyone.
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Any writer will be happy and good only if they know what they're doing and why they're doing it.
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I never believe them when they say that because you really have to sort of be aware of what's going on in the news in order to get the jokes on the show.
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We love playing music but we're too weird to play music.
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I'm an actor first and foremost, who happens to do improv. I've also done sitcoms, I've done stage.
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I love playing sports. I'm overly eager and aggressive and not very skilled, so it leads to many small injuries.
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I've decided to recast myself as Utopian. I like this landscape of the M25 and Heathrow. I like airfreight offices and rent-a-car bureaus. I like dual carriageways. When I see a CCTV camera, I know I'm safe.
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I don't mind playing spoiler.
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I have never tried to compare myself to anyone else.
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In every European nation, there have been problems in history when the society was too divided.
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I watched the first moon landing at a bar in Paducah, Kentucky, a fact worth mentioning only because I still remember how suddenly silence descended on this raucous place when Neil Armstrong started coming down that ladder.
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I'm a normal guy.
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We don't have to sit by while Trump uses his enormous global platform to undermine our national security. We would love to be able to actually force Twitter's hand to live up to its rules, explicitly forbidding hate speech and encouraging violence.
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That's the joy of art - it should be dangerous and challenging but it's just art - it's safe.
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For me, the most effective cabaret evenings have been some of the most personal ones, where the performer is comfortable enough to simply be themselves.
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The world is supposed to be full of possibilities, but they narrow down to pretty few in most personal experience. There's lots of good fish in the sea ... maybe ... but the vast masses seem to be mackerel or herring, and if you're not mackerel or herring yourself you are likely to find very few good fish in the sea.
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So I regard my part in Genevieve as a real challenge.
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Lately I've been falling asleep listening to 'Common One' by Van Morrison, specifically the song 'Summertime in England.' It's 15 minutes long, so to make it through the entire song is a real task unto itself, but Van has that emotional payoff that makes even his most tiresome songs more powerful than most people's entire catalog.
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I was bankrolling the games, vetting the players, extending the credit. My life was really stressful.
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I really can't complain about actresses who get paid to be dumb. Most of us can't get paid to be smart.
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If I take a lick from so and so, I'm not going to get that many variations from it, because their phrases are just based on a scale. That's why I say Wes Montgomery has more substance than others. I find myself listening to the older players. You see one bar of theirs and you can get one hundred more licks out of it.
