Carl Sandburg Quotes
Quotes to Explore
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I won't allow myself to have tremendous fear.
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Intimate relationships are a gold mine for literature to explore, to understand, to describe.
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It is hard to watch myself. I'm hypercritical, and it's difficult to watch a performance when I may end up being at odds with it - wishing I'd done something differently or that they had edited it a certain way.
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A lot of times, I'm singing things that are observational and am definitely including myself.
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I read comics and I did science, and never really put them together until I accidentally found myself in the middle of one.
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I chose to present myself as one who comes from among the people, and I can be touched by their pain because I have my own.
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I tell myself every offseason I'm not going to say anything crazy. I'm just going to have a peaceful season... Can't do it. I'm cut from a different cloth.
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My mom just understands about stuff. We have a really good trust, and she knows I can take care of myself.
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I've planned book tours for myself, whether or not anybody wants to hear what I have to say. I've weighed in on things like what the cover looks like, what the copy looks like, how it's going to be promoted - just every aspect of it.
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I've always had confidence. It came because I have lots of initiative. I wanted to make something of myself.
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Every story I create, creates me. I write to create myself.
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I wrote 'Criminal' in 45 minutes when everyone else went to lunch because I had to have a hit. I can force myself to do the work, but only if someone is right up behind me.
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I was a Labour Party man but I found myself to the left of the Labour party in Nelson, militant as that was. I came to London and in a few months I was a Trotskyist.
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I'm a light sleeper. I've never been one of those people who can put their head down and suddenly everything disappears. Nighttime is the time I get most scared, anxious or worried. In those darker moments before waking or sleeping is when I feel most, I don't know, I can turn on myself, and my imagination can take me dark places.
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I have trusted to my intuition to find the subjects, and I have written intuitively. I have an idea when I start, I have a shape; but I will fully understand what I have written only after some years.
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I did a play called 'On Golden Pond' in a dinner theater in Maine and then went to New York for a talent competition having put together a three-man juggling routine and some one-liners and I got myself an agent from that.
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My best work is often almost unconscious and occurs ahead of my ability to understand it.
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I decide immediately if I like a person and if I do, then I'm myself, and if I don't, then I give nothing.
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I want a man I can keep for myself. I wouldn't ever share my man with anyone else.
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Through such impressions one gathers oneself, wins oneself back from the exacting multiplicity, which speaks and chatters there (and how talkative it is!), and one slowly learns to recognize the very few Things in which something eternal endures that one can love and something solitary that one can gently take part in.
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Summer had come and gone. Summer had come and gone. And the world was ending.
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Somehow, white South Africans believed that black labor was like a lawn mower: you could have it around, and when you didn’t need it, you could hide it in its little shed where it would be good and quiet-until you needed it again.
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It's a shame because we experienced probably the greatest thing - in art, in pop - we'll ever do. And it would be good to sit around and talk about it.
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I've written some poetry I don't understand myself.
