Carl Sandburg Quotes
Quotes to Explore
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I was a hot-dog stand lady, I was an orphan housemother, I was a waitress 3 or 4 times. All of those jobs did not have good bosses. They basically told you what to do, when to do and when to hop. And I just didn't like that very much.
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My style is all I have. When I go on stage, that's me in my comfort zone. It's not a costume. It's just me. And I want every woman to feel that way.
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Live TV has an amazing pace to it. You've got to be able to think quick, make changes last minute, and be funny and fast.
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Show me one dictatorship in the world that has not been supported by the United States government or some European governments. It almost doesn't exist. I think a dictatorship and hegemony are part of the same phenomenon.
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The real amazing thing about all of this is I think I've maintained the mentality of a musician throughout it all, which I'm proudest of. And I'm still playing on people's records and singing on people's records.
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It's kind of amazing that people will travel because of a book. I admire that.
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I think it's important that things are flawed.
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As I have not worried to be born, I do not worry to die.
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Of puns it has been said that those who most dislike them are those who are least able to utter them.
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I love things that are harsh and things that are too loud. And I love lulling people into a false sense of security. That's life.
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The thing about Drew Goddard and Mike Schur is that they are legit geniuses, and they love storytelling. They love creating worlds, love messing with the audience; they love doing things that we don't expect. To get to be a part of that is too good to be true.
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I think there are certain business matters which we must now conduct differently than we used to.
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In men's sports, people criticize coaches and managers all the time, call out teammates, too, and it's not that huge of a deal. Often, the guy speaking out is even lauded for having the courage to tell the truth. When it happens in women's sports, though, it always seems to be viewed as a nasty, claws-out cat fight.
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The key is to work with people who are passionate about storytelling and who have a similar sensibility of the type and nature of the stories that you want to tell.
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As far as those kinds of things, I also played at the concert to call for the release of Nelson Mandela when he was a political prisoner in South Africa. We were celebrating his 70th birthday and calling for his release.
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I always gravitate towards the independent side of things, just because those are the stories I always fall in love with, but you don't really get paid, and living in Los Angeles is expensive, and I have a mortgage to pay. So it's good to jump onto a studio film and then in all my other time do small passion projects.
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The moment you have children and a mortgage you want things to work; you're locked into the human project and you want it to flourish.
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I was surprised by how much I liked 'Hacksaw Ridge' and its depth.
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I have too many responsibilities and principles. There's no time for 'guilty' pleasures.
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If you consider the definition of authenticity, it's saying something and actually doing it. I write my own songs. I made my own videos. I pick my producers. Nothing goes out without my permission. It's all authentic.
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You know what black hatred women feel toward me as soon as they see me, until I return inside my shell, they use every possible weapon. As soon as a generous man tries to help me out, a woman is here to hold his arm and prevent him from acting.
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On some level, I think we want our reading self to represent our best self.
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The Cemetery of Forgotten Books is like the greatest, most fantastic library you could ever imagine. It's a labyrinth of books with tunnels, bridges, arches, secret sections - and it's hidden inside an old palace in the old city of Barcelona.
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The greatest cunning is to have none at all.
