Emma Walton Hamilton Quotes
We certainly had our moments when I was growing up. But the great thing was, if Mom was working on a night shoot, she'd be up making breakfast before school.
Quotes to Explore
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You know, I think I still have a sense that no matter what you do, no matter what you achieve, no matter how much success you have, no matter how much money you have, relationships are important.
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Whether I sound like Sammy or not is purely coincidence. You have got to hand it to him, he sings his ass off. There is no moss on that stone.
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Love is the one wild card.
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To make theater out of real life, you need to catch dialogue when it happens.
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Love shouldn't play by the rules. It's all about chemistry.
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I've already fought my share. God gave me a rich, eventful career, and I thank God for everything, but I'm done fighting.
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I find often in Hollywood there are many people who play themselves really beautifully. And certain parts are not that dissimilar from who you are as a person.
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A lot of things that we cannot buy and sell in markets used to be totally legal objects of market exchange - human beings when we had slavery, child labour, human organs, and so on. So there is no economic theory that actually says that you shouldn't have slavery or child labour because all these are political, ethical judgments.
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Politics is my hobby. Smut is my vocation.
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In graduate school, I was a student of E.L. Doctorow, and he had us read 'Moby-Dick' in a week.
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You actually can’t understand American history without understanding slavery.
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I didn't like Jaya's Hazaar Chaurasi ki Ma, though I did like her performance. I felt the movie was too verbose. I thought why did they have to make a film? They could have simply written an article.
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Better to err with Pope, than shine with Pye.
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The present level of armaments could be taken as the starting point. It could be stipulated in an international treaty that these armaments should be simultaneously and uniformly reduced by a certain proportion in all countries.
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I think Twitter is such a cool thing because it really is a direct line to the fans and for fans back to you, and it's such a new thing. I think in the past there's been usually fan mail and that's really good, but Twitter, it gets an immediate response.
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As a youngster, I lived in Philly for 12 years, and I would go up to New York to do shows and make money - it was the dream to maybe be able to survive there and live there.
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I almost feel like sometimes when I'm on location, you miss your home and your family and all that stuff, but it keeps you focused on the work.
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As much as I am one for real human interaction, I also want to make a show that's entertaining and that people want to see.
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I hope I'm building a record of being a good team player and not just standing for my principles but being willing to work for them. I think when you do that and you work really hard, people take notice.
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Having a conversation on a landline is more intimate than talking to someone in person. Your voices are so clear and close - you're in each other's heads.
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The first 10 years of my life, I lived as 'Matangi.' When I came to England in '86, my first week of school was terrible because I would put my hand up to answer things, and no one would choose me because they couldn't say my name. My auntie came from Europe to visit us, and she was like, 'Just call yourself something else.'
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No matter how much you like your local school teacher, he or she is a government agent.
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I have a hotline to the tabloids. When I get up in the morning, I call the Star, and the last thing at night, I call them. I want them to have the inside track.
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We certainly had our moments when I was growing up. But the great thing was, if Mom was working on a night shoot, she'd be up making breakfast before school.
