Emory Douglas Quotes
At that time the African American community was not a large reading community. They learned from observation and participation. So we had a lot of visuals that they could identify with. Photographs and short captions, as opposed to long, drawn-out essays and editorials. They were visual interpretations of the conditions people lived in. Inner cities, poor communities. Combined with revolutionary imagery. The people saw themselves in the artwork. They became the heroes. They could see their uncles in it. They could see their fathers or their brothers and sisters in the art.
Quotes to Explore
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Hollywood is a place where they place you under contract instead of under observation.
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Visual storytelling is at once immediate and subversive.
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One of the things I was so glad that happened to me on Knots was that I learned to relax.
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Yes, actually ever since I saw his films and tried to write about them, Sirk's been in everything I've done. Not Sirk himself, but what I've learned from his work.
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I wanted to shred, so I learned classical guitar.
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I learned mainly through television, but I learned how to do mosaic, where you can buy stones or things of that nature. But also where you bust the tile to decorate pots for flowers or table tops. Lots of different things. Wherever you want it, you can mosaic just about anything. It took me about two weeks to do a big birdbath.
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The brain isn't like the heart. They learned how to transplant a heart. The brain is more complex.
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I have learned that acting is not about beauty.
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I've learned not to be as maniacal as I used to be.
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Leadership cannot really be taught. It can only be learned.
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I have had unsuccessful films, but I learned a lot from those films. I give my failures as much importance as my success.
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I grew up riding when I was younger in Texas. I actually learned how to ride in Norway. I really love riding horses.
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I've totally learned in this process that 99% of the time, your gut is right, and you know what's right for you. I know exactly what's right for my career and for my art, and sometimes, even if the whole room is saying, 'Don't do that, don't do that,' you know that doing that is going to be good for you, in the long run.
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Learned conversation is either the affectation of the ignorant or the profession of the mentally unemployed.
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I've lived long enough to have learned, the closer you get to the fire, the more you get burned.
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When I went to the Association [ National Association for the Advancement of Colored People] I learned a few things by observation. One of the things that used to strike me was [Walter White] need to impress people, even just people who came into the office.
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All that we have read and learned, all that has occupied and interested us in the thoughts and deeds of men abler or wiser than ourselves, constitutes at last a spiritual society of which we can never be deprived, for it rests in the heart and soul of the man who has acquired it.
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Here's what I think I'm having trouble with: this is what happiness is. When I was a kid, I thought I'd just get happier and happier as I got older, and have more things to be happy about. I based this theory on observation of select adults. The problem with my results is that I couldn't tell the difference then between happy and fake-happy. Now I know you pretend to be just frigging ecstatic over everything, maybe because you're so glad it's not worse.
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The difference between a learned man and an ignorant one is the same as that between a living man and a corpse.
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If you haven't learned the meaning of friendship, you really haven't learned anything.
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The United States is no longer first in the world in upward mobility. We can reverse that trend by giving our young children an equal start in life as they begin their journey to fulfill the American Dream.
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At that time the African American community was not a large reading community. They learned from observation and participation. So we had a lot of visuals that they could identify with. Photographs and short captions, as opposed to long, drawn-out essays and editorials. They were visual interpretations of the conditions people lived in. Inner cities, poor communities. Combined with revolutionary imagery. The people saw themselves in the artwork. They became the heroes. They could see their uncles in it. They could see their fathers or their brothers and sisters in the art.
