Sam Shepard Quotes
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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Stage and film are just two wildly different animals. Why compare the two?
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But the process of making a film is not glamorous. Certainly not my films.
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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Film has played such a big part in my life, in my impressions of the United States.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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I'm extremely particular how my look should be in a film.
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The film industry is mostly about unidimensional characters.
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The film depends on the audience's belief in this relationship.
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I am the biggest geek and fan of film and TV, and I just go through phases.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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The 1910 Edison film of 'Frankenstein' was itself a dead thing revived by technology.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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All my brother Eliot and I did as kids was film sketches.
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I make sure that whatever film I do, I enjoy my role.
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Film is much more visual, a scene is typically a lot shorter, you're dealing with a lot more characters, a lot more locations, and you're able to rely on things that you just can never do on the stage.
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A screenplay is not a finished product; a novel is. A screenplay is a blueprint for something - for a building that will most likely never be built.
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The longer I live, the more I feel like the stuff I see and feel is like a tracing of the outline of the real stuff that’s beyond our perceptions.
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Film is anti-language.
