Sam Shepard Quotes
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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Stage and film are just two wildly different animals. Why compare the two?
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But the process of making a film is not glamorous. Certainly not my films.
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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Film has played such a big part in my life, in my impressions of the United States.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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I'm extremely particular how my look should be in a film.
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The film industry is mostly about unidimensional characters.
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The film depends on the audience's belief in this relationship.
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I am the biggest geek and fan of film and TV, and I just go through phases.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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The 1910 Edison film of 'Frankenstein' was itself a dead thing revived by technology.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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All my brother Eliot and I did as kids was film sketches.
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I make sure that whatever film I do, I enjoy my role.
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I have a goal to do my own animated film, something all my own.
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Your band members? Your band members don't want to be tied to a machine. They want to be playing. That's what the Beatles did. And the Beatles' stuff is timeless. That's what I would suggest. Just get back to sweating, playing hard, hammering, and having a blast.
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A deed happens in a definite place at a definite time, but if it be sufficiently great and pregnant, its virtue radiates everywhere in time and space.
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I have a strong spiritual commitment, and I try to express that in my work. Salvation cannot be worked out in human terms. The point of my writing is to touch upon the systematics of prayer and on how we arrive at a method of achieving spiritual coherence in our lives.
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Film is anti-language.
