Brian Stelter Quotes
Quotes to Explore
-
At college, I wanted to be a poet. I liked the extremely concentrated language, the atmosphere of otherworldliness.
-
My purpose as a writer is to communicate in such a way as to challenge the thinking of readers and touch their hearts.
-
Dark chocolate, and salt and vinegar chips are my weakness - but not together.
-
It takes vision and courage to create - it takes faith and courage to prove.
-
There are years that ask questions and years that answer.
-
If people ask me to describe my look, I always say: 'Quite classic with an edge.'
-
Social media is interesting. It helps me connect with fans. It's immediate. It's a big part of my touring business - getting the word out via Twitter, Facebook, and Instagram.
-
I'm having trouble understanding why there hasn't been further progress on CalgaryNext.
-
Don't judge me. I made a lot of money.
-
There are so many things to think about when you make an album. Like, who am I trying to impress? Am I going to get respect, critical acclaim? Or am I going to sell lots of records?
-
When my soul was in the lost-and-found You came along to claim it.
-
It demonstrates that these kinds of things can, and do, work.
-
Are you doing the kind of work you were built for, so that you can expect to be able to do very large amounts of that kind and thrive under it? Or are you doing a kind of which you can do comparatively little.
-
That's something we expect from Dre every night, ... We know he has the ability to shut people down.
-
Nothing is as frustrating as arguing with someone who knows what he's talking about.
-
Problems should be solved by talking and not in an aggressive manner.
-
When we [Migos] talk about whatever we're talking about, and you visualise it, that's what we really went through.
-
We are talking about a special player, the one who would mean a lot to us. Anyhow, I wish him a lot of luck in his career.
-
Bernard Leach knew Ben Nicholson, Barbara Hepworth, Terry Frost, Peter Lanyon, Johnny Wells. I can think of a number of people that we met there just because we were living with Bernard. Some of them became our friends, particularly the younger artists, but we were privileged to at least meet and talk with the older artists also. And they would come to dinner, and we would simply be included in the conversation, which was quite fascinating.
-
No one is talking. No one is emailing. No one is texting. It's spooky and scary.
