Eric Drooker Quotes
What's that Regina Spektor song? Museums are like mausoleums. Having your work in a museum is something we as artists aspire to, but I don't think that's something we need to worry about while we're alive. Typically your work will end up in a museum after you're dead. And maybe that's the function of a museum. It's an archive of your work after you're dead. But while we're alive, I like to see it in places where it's connected to day-to-day life and making a difference.Eric Drooker
Quotes to Explore
-
It's always a live experience - anything that happens around you. It's so easy to just put it to a song.
Wayne Wonder -
I think the line is where you're in the studio, you're creating. That belongs to you as an artist. Nothing should taint that. I shouldn't be thinking about what the fans want, I shouldn't be thinking about what the radio wants, what the label wants, what your manager wants, a song for the chicks, a song for the street.
Talib Kweli Black Star -
We never thought 'Say Something' would be a holiday song. I'm still surprised that it's resonating at this time of year. Maybe that's why it's working so well - it balances out all the joy.
Ian Axel -
I wrote my first song when I was six or seven, a silly little song. But I used to write poems in high school - not songs.
Rachel Platten -
Very often, writing a song is a process that happens to me rather than one that I instigate. I feel a song coming on and, like a sneeze; I wait for it until it comes.
Kat Edmonson -
Both my grandmothers had upright pianos, and I just knew how to play since I was a child. Nobody taught me. I sounded like a grown-up, and then I learned how to read music. I played so well by ear I could fool the teacher to believe I could play the notes. She'd make the mistake of playing the song once, and I could play it.
Valerie Simpson
-
The more far-out artists, the better.
Gary Wright -
If you can make the song a soundtrack to what you're living at the time, I think that's the most important part of a song.
Nate Ruess Fun. -
When I write, I don't have any expectation of what kind of song it will become or who it might reach.
Benjamin Hammond "Ben" Haggerty -
But when you hear the complete album, it gets dark, really straight-up rock, with some really intimate moments with just me and the piano. It's not completely me because there are parts of me that aren't on that song, that are on the album.
Vanessa Carlton -
In law also the emphasis makes the song.
Felix Frankfurter -
She’s a nice girl – I just feel very honoured that she wanted to sing my song. I used to scream for her in Times Square and now I work for her. When I was 13 she was the most provocative performer of my time. I love her so much! Britney certainly doesn’t need any freakin’ tips from me! Britney Spears is the queen of pop. I was learning from her.
Lady Gaga
-
The song is the center; the song is the key. If you don't have a good song you don't have anything by my value.
Carole King -
Sometimes, you sit down to write a song, you don't realize what it's going to mean to somebody other than yourself.
Luke Combs -
I didn't know how to play guitar until I was 21, but from the moment I was good enough on guitar to even put one song together, I kind of billed myself as an artist.
Luke Combs -
The only thing that's a little tricky about it is sometimes people assume that if it's a new song, it's a reflection of what you're feeling or going through now.
Richard Marx -
I think my main two songs are 'FWU' and 'Get Away.' 'FWU' made a cool point because it came out right after Chris Brown's 'Loyal' came out. I combated it with 'FWU,' a song that basically says, 'These women are loyal.'
Kehlani -
When I heard 'Rockabye,' I was just blown away. It had been a long time since I had heard a song that had a message like that in it - about being a single parent and caring for your child.
Anne-Marie
-
Our touchstones of slavery are 'Song of the South,' 'Gone With the Wind' and 'The Birth of a Nation.' It's hard to separate the cinematic quality from the underlying themes. I appreciate the films, but the message was repugnant.
John Ridley -
I was paid to read Western economic texts. In a way, the regime paid for their own undermining.
Vaclav Klaus -
That's why I called it Dangerously In Love. It's basically all of the steps in a relationship from when you first meet a guy to realizing you're interested to dancing with him the first night to thinking that you're in love to realizing that you're now a little open to making love to breaking up to having to love yourself after the breakup. All of that. A celebration of love.
Beyonce Destiny's Child -
Global warming is my personal experience.
Wang Shi -
It's a pretty crazy adrenaline rush because I feel like every run is different. You can never really expect anything. It's like a new adventure every time you drop into the pipe.
Chloe Kim -
What's that Regina Spektor song? Museums are like mausoleums. Having your work in a museum is something we as artists aspire to, but I don't think that's something we need to worry about while we're alive. Typically your work will end up in a museum after you're dead. And maybe that's the function of a museum. It's an archive of your work after you're dead. But while we're alive, I like to see it in places where it's connected to day-to-day life and making a difference.
Eric Drooker