Eric Drooker Quotes
There's the fact that animation is extremely time-consuming, tedious, labor-intensive, and therefore, extremely expensive as an art form to really do it right, to really do full animation.
Quotes to Explore
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A lot of our animation projects are co-productions with French production companies.
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I usually have 10 different animation projects going at a time.
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My parents never pressured me to skate. They always said I could quit if I wanted to. They only expected me to skate when they had already paid for the expensive lessons. But, otherwise they said I could do what I wanted to do.
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The line between anime and regular animation is very difficult to cross, even for people who have been doing anime successfully for years.
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I'm interested in animation. I actually feel like I've learned so much about the process how to make an animated movie.
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It's been an ambition of mine, before I even wanted to act, to be involved in animation.
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Import and substituting imports with domestic production are a big opportunity. With a devaluation of the rupee, imports get expensive, and for Indian manufacturers, this creates a huge opportunity.
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I miss animation very passionately. Not continuously, but every once in a while I would die to do another film.
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Animation is not just for children - it's also for adults who take drugs.
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I'm convinced that sending people to Mars is so expensive that if you go once and bring the people back and then go again and bring the people back, we're eventually going to run out of money. But what if we send people the first time and they don't come back? What if they stay there?
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There are two types of girls: those that can make cheap clothes look expensive and those that make designer clothes look cheap.
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You'll see why, in animation circles, Miyazaki himself is considered one of the gods.
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Golf is an expensive way to make yourself miserable.
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Be rather bountiful, than expensive.
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My work is so unorthodox that from one panel to the next, the drawings are completely different... totally opposed to the way of working in something like animation, where every drawing has to look like the one before.
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You can divide airlines into two camps: expensive and cheap. But I believe that we will only distinguish between long-haul and short-haul airlines in the future.
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I love to get involved with projects that take me out of my comfort zone. I try to do things that are not necessarily what I'm used to. I always wanted to do a big animation movie and stick to the codes that this genre sometimes implies.
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I'm always astounded that people know who I am and what I do. I still have a lot of anonymity and that's good. I don't get bothered in restaurants and stuff like that. But when I'm at events that are really geared toward animation fans, they know who I am. And I'm so very pleased and so flattered by it. People are extremely complimentary to me, and that only encourages me to continue to do more really good work. I get paid by the studios, but I know I work for the fans.
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One of my favorite things about animation is that the boundaries are as limitless as our imaginations. If we can dream it, we can make it. And if we do it well, audiences will believe it wholeheartedly.
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Love will come find you, just to remind you of who you are.
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The death panel issue arose with Tom Daschle, who was originally going to be the Health Czar. Daschle became enamored with the British system and wrote a book about health care, which influenced President Barack Obama.
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Having read the histories of other countries, I saw that expansion was everything, and that the world's surface being limited, the great object of present humanity should be to take as much of the world as it possibly could.
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'Speed' and 'Point Break' were a lot of running and jumping, and then 'The Matrix Trilogy' had a lot of fights and wire work and green screen elements.
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There's the fact that animation is extremely time-consuming, tedious, labor-intensive, and therefore, extremely expensive as an art form to really do it right, to really do full animation.
