Vincent D'Onofrio Quotes
So I moved to Europe and only came back when directors like Robert Altman would call me after they'd seen my work in Full Metal Jacket.
Quotes to Explore
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Clinton has more important things to worry about. He not only risks being destroyed historically, like Afghanistan's Buddha statues; he also could end up going to jail.
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Its no secret that I've never liked tax credits.
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A handicap is like trying to race and you have a ten pound weight stuck to your waist. That is a handicap.
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Obviously, we're focused on the Winter Classic.
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Prison makes an interesting context for so many different characters to come together. You get to see what lines get drawn between people.
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I am a passionate civil libertarian.
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And it's one thing to give people freedom and something else to deny the rights of Christians to assert their faith in order to keep Hindus from feeling upset.
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If you come to my house, you won't see a wall of trophies or things like that. I'm sort of 'on to the next thing' all the time.
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I'm not shy about trying to find what truth there is in any genre, whether that be an action piece, a sci-fi piece, a small indie film, or a play. I'm open to it all.
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I need a little bass and I don't even need that crazy bass to break your face. I just want it to sound good when I have my favorite song.
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I went to this little performing arts school in downtown Phoenix. You had to dance or act, and everyone sang in choir. I started out playing the saxophone, but I always wanted to be in an orchestra. That was a dream as a kid, and there aren't a lot of saxophones in an orchestra.
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I'd like to think a baseball picture is somewhere in my future.
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Whenever I am losing, it's like, 'It's his fault'. And whenever I'm winning it's like, 'That's us'. That's the team, the people.
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Rock and Roll has no beginning and no end for it is the very pulse of life itself.
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Becoming a vampire means completely changing your identity.
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Pictures must not be too picturesque.
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I'm entirely self-taught, which I think is both a blessing and a curse.
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Well, yes, as I was a rather bad actor then and I wasn't making enough money, I thought, to make enough money to not make money as an actor, I'd better do some writing.
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I had classic technique - one of the best techniques when I was like 10, 12, but then I changed.
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What I know is, is that if you do work that you love, and the work fulfills you, the rest will come.
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I have always said to young artists that scholastic training and the studying of art history are crucial to fully developing as an artist.
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Since I was a child, my father was sick. I've always known him to be that way. That's why I'm proud of him - he has a disease he's obviously struggling with, but he's not letting it stop him from doing what he wants to do.
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I think the thing about acting and making music is that it's easy to do both. I'll shoot a movie for three months, and then I won't have to work for however long I want to. So, I can do a movie for a couple of months and then come and do music for a couple. But whatever's hot at the moment is what I'll gravitate toward.
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So I moved to Europe and only came back when directors like Robert Altman would call me after they'd seen my work in Full Metal Jacket.
