Vincent D'Onofrio Quotes
So I moved to Europe and only came back when directors like Robert Altman would call me after they'd seen my work in Full Metal Jacket.

Quotes to Explore
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Clinton has more important things to worry about. He not only risks being destroyed historically, like Afghanistan's Buddha statues; he also could end up going to jail.
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Its no secret that I've never liked tax credits.
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A handicap is like trying to race and you have a ten pound weight stuck to your waist. That is a handicap.
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Obviously, we're focused on the Winter Classic.
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Prison makes an interesting context for so many different characters to come together. You get to see what lines get drawn between people.
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I am a passionate civil libertarian.
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And it's one thing to give people freedom and something else to deny the rights of Christians to assert their faith in order to keep Hindus from feeling upset.
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I need a little bass and I don't even need that crazy bass to break your face. I just want it to sound good when I have my favorite song.
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I went to this little performing arts school in downtown Phoenix. You had to dance or act, and everyone sang in choir. I started out playing the saxophone, but I always wanted to be in an orchestra. That was a dream as a kid, and there aren't a lot of saxophones in an orchestra.
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I'd like to think a baseball picture is somewhere in my future.
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Whenever I am losing, it's like, 'It's his fault'. And whenever I'm winning it's like, 'That's us'. That's the team, the people.
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Rock and Roll has no beginning and no end for it is the very pulse of life itself.
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Becoming a vampire means completely changing your identity.
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I'm entirely self-taught, which I think is both a blessing and a curse.
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Well, yes, as I was a rather bad actor then and I wasn't making enough money, I thought, to make enough money to not make money as an actor, I'd better do some writing.
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I'm very respectful in everything I wear. I think about it.
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More often than not, the experience of shooting the movie has been disappointing and the end product has been a mere shadow of what I hoped it would be. But immersing myself in the story - that's what I like best of all.
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As an astronaut, you have a very defined set of tasks to do. Those tasks may require you to work 60, 70 or 80 hours a week.
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I remember when I was in third grade, I was in a classroom, and the teacher said, 'What do you want to do when you get older?' We were going around the room. I said, 'I want to be a professional basketball player.' She's like, 'That's not realistic.' I thought to myself, 'OK, watch.'
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Anyone who reads my work will see that there are often difficult relationships between fathers and sons.
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I don't work all day, every day on 'Rizzoli & Isles,' but I work every day. It may be a scene or two, or it may be an enormous workload, but there's really not a lot of room for anything else, and that's the choice I made. And that's why I stayed away from TV before: Because I know that that's what it is.
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The message of love and compassion will travel far and wide if all who follow a spiritual path work together in harmony and mutual respect.
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The outfield is solid, so is the catching and the infield.
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So I moved to Europe and only came back when directors like Robert Altman would call me after they'd seen my work in Full Metal Jacket.