Gail Carson Levine Quotes
Quotes to Explore
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I like to prove people wrong.
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Basically, I'm a musical vocalist, but I do voiceover stuff as a sideline, like plumbing or something.
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It is time for dead languages to be quiet.
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When I was a young boy, I was obsessed with skulls and mummies and things like that.
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Making fun of born-again Christians is like hunting dairy cows with a high powered rifle and scope.
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I like risky stuff.
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Most of my friends in Nashville - almost all of them - seem to have had hits in the '70s, either as artists or songwriters or producers.
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I can swear like a fishwife.
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Excessive speed and quantity are, like chattiness and digression, besetting sins of cyber-assisted authorship.
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My kids like their eggs with catsup. I like mine with salsa.
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Growing up, there were no families on TV that looked like mine.
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I feel like I'm supposed to be a shooter.
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If bigots behave like bigots, it's not a huge surprise.
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I must be like the princess who felt the pea through seven mattresses; each book is a pea.
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Calling a taxi in Texas is like calling a rabbi in Iraq.
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Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
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The infectiousness of crime is like that of the plague.
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I don't worry too much about the script, I just ad lib, like Pearl Bailey.
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I like Jay-Z, 50 Cent and Common. But I like the underground stuff like Young Jeezy, Black Rob and Shine. I also love heavy metal like Slipknot and Pantera, It's very intense stuff.
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If you find diseases before they've really emerged, you can control them early on, before you get a major epidemic.
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Most of the time, those who use animals in experiments justify that use by pointing to alleged benefits to human and animal health and the supposed necessity of using animals to obtain those benefits.
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Man is alone everywhere. But the solitude of the Mexican, under the great stone night of the high plateau that is still inhabited by insatiable gods, is very different from that of the North American, who wanders in an abstract world of machines, fellow citizens and moral precepts.
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Music seems to be the bridge over the gulf between form and the formless.
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Most of the authors I liked were dead, so it didn't seem like a safe occupation.
