Fernando Pessoa Quotes
I'm upset by the happiness of all these men who don't know they're unhappy. ... Because of that, though, I love them all. Dear vegetables!
Quotes to Explore
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I was a little hesitant at first because there's so many ways you can get 'Straight Outta Compton' wrong. You know, it's such a great story; it's such a classic tale. I was a little nervous 'cause it's like a very narrow road to success with that type of story - you got to get it right - but when I read it, I was pleasantly surprised.
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I think that the mistakes that anyone can make going on dates is probably not being themselves because you can only trick people for so long.
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When I was 14, I was a passenger in a terrible accident.
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I don't have time to sit up and write songs all day. Maybe one day when my kids get older.
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The humanities need to be defended today against the encroachments of physical science, as they once needed to be against the encroachment of theology.
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Typically on a TV series, the writers on a show are writing for their life almost every episode. When someone sits down to write a Netflix show, they know there's going to be a 13th hour.
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To like an individual because he's black is just as insulting as to dislike him because he isn't white.
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I'd always put on little shows at home, but when I was 11, I did a community event in Woodford, where anyone could go.
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The slow philosophy is not about doing everything in tortoise mode. It's less about the speed and more about investing the right amount of time and attention in the problem so you solve it.
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I never desperately wanted to be a jazz drummer. If anything, I was motivated a lot by fear. Fear of the conductor, fear of the future.
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Stephen Colbert used to be my friend. I even signed the poor baby's cast when he hurt his hand.
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This uprising of 1976-77 was, of course, the historic watershed... Within a short period of time, it propelled into the forefront of our struggle millions of young people.
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What I love about 'Midnight Train' is that it's a song about a journey, but the music actually takes you on that journey. It feels like you're moving through the whole song.
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Goddam money. It always ends up making you blue as hell.
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Comparing science and religion isn't like comparing apples and oranges - it's more like apples and sewing machines.
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I don't think we should label budgets even before the budget is presented.
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On the whole, I now see my work as being an expression of my spiritual life and, because I look at it that way, I have a different centre. I go through the stress and pressure, but I think I'm lucky because I come from a different source point.
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It's really exciting to see all those people that exist in numbers online translate into tickets and then into faces, handshakes, pictures, stories.
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I realized quickly what Mandela and Tambo meant to ordinary Africans. It was a place where they could come and find a sympathetic ear and a competent ally, a place where they would not be either turned away or cheated, a place where they might actually feel proud to be represented by men of their own skin color.
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When we're making music together, it's like five men making love-in a very platonic sense. It's very erotic, because your spirits are intermingling, you're becoming one. It's also why it can get so heated. You're tapping into this electricity that's very primal.
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Rabelais offers a vision of the future of print culture as a consumer's paradise of applied knowledge. (p. 167)
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Consciousness must essentially cover an interval of time; for if it did not, we could gain no knowledge of time, and not merely no veracious cognition of it, but no conception whatever. We are therefore, forced to say that we are immediately conscious through an infinitesimal interval of time.
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We are perverse creatures and never satisfied.
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I'm upset by the happiness of all these men who don't know they're unhappy. ... Because of that, though, I love them all. Dear vegetables!
