Erin McKeown Quotes
When I began writing songs, there was a pretty direct line between what was happening in my life and what I wrote about. So my first album was really all about my failed attempts to make a particular relationship work.
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Quotes to Explore
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The first thing my writing ever earned me wasn't an advance on a book; it wasn't a fee for an article or anything like that. It was, in fact, a residency at Hedgebrook Farm.
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The beauty of 'The Hunger Games' and also 'Game of Thrones,' in fairness, both projects have really complex, three-dimensional, contradictory, strong women... The writing of female characters is extraordinary and equal to the men.
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I didn't live at school, I lived where I could and studied what I enjoyed studying. I took what I wanted from that education but was making my first record at the same time. I don't know anyone from school. I was just leading a different life. I was really interested in writing and other things.
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Writing books is a nice retreat. There's nothing quite like diving into a book for a few hours. That is a big time vacation.
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To me, there is nothing more soothing than the song of a mosquito that can't get through the mesh to bite you.
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I listened to country music my whole life. I started writing music when I was a teenager. It all came out country.
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Good acting is all in the writing. If it isn't on the page, then it really won't make any difference. You cannot act on force of personality alone.
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Writing is agony. I hate it.
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The morning is always my best time of the day for writing because that's when my head is best.
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After the children grew up, I began to focus on my writing. My first books were part of a trilogy... The 'Wind Dance' trilogy.
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I start writing with only the vaguest idea about who my characters are and what is going to happen, and the characters and plot come into existence as I go. I've tried doing it the other way, but for me, outlining is a waste of time because I never follow the outline.
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What you hear about the band is always going to be more disturbing than any particular song.
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I first encountered Bradbury's writing when I was pretty young. He's a great bridge author between young-adult fiction and literature.
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When your time comes to die, be not like those whose hearts are filled with fear of death, so that when their time comes they weep and pray for a little more time to live their lives over again in a different way. Sing your death song, and die like a hero going home.
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One of my real goals was to hear someone whistling a song I'd written.
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I have now attained the true art of letter-writing, which we are always told, is to express on paper exactly what one would say to the same person by word of mouth.
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It's really weird when we're out of the country, whether we're in Brazil or Greece or some crazy place like France or Germany. When you hear your song on the radio or in a store, and you're in a different country, it's really freaky and surreal.
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People shout out for songs and I don't even remember writing them.
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Fantastic writing in English is kind of disreputable, but fantastic writing in translation is the summit.
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Enema of the State song is kind of like a tattoo, like a moment in time, but it aged well. It's not like one that you're looking at like, "Aw, God, I gotta get that s**t removed." It's something we're proud of.
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Yes, I was in that game where George Brett hit that home run. Billy saw there was too much pine tar on the bat and he went to the umpire, the next thing we knew they were fighting about it.
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I've become immune to desire; I snip the danger of wanting in the bud.
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I never skimp on TV. I watch an embarrassing amount of TV shows. I don't even know how I do it.
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When I began writing songs, there was a pretty direct line between what was happening in my life and what I wrote about. So my first album was really all about my failed attempts to make a particular relationship work.