Brice Marden Quotes
I've always worn a hat when I work. I think it also comes from a picture of Rothko I saw with a painter's hat on.
Quotes to Explore
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I always do my interviews face to face.
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I've always been extremely physical. I was a gymnast for 15 years, and then I was a dancer for nine, so I was kind of looking for these parts. But we have a tendency in Denmark not to do many action films.
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When you're on a movie set and you are hopefully making a comedy, everyone's stifling their laughter. You're looking at the crew guys, hoping someone is making that face like, and not like, this is not working out, man.
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There are no limits to our future if we don't put limits on our people.
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My commitment to the Republican movement was pure and simply patriotism, a love of Australia... a desire or passion that all of our national symbols should be unequivocally and unambiguously Australian.
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A film of my life would never happen!
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The probability that we may fail in the struggle ought not to deter us from the support of a cause we believe to be just.
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I want to take a more international direction with my career.
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I know most players do, but I always keep both eyes opened. I still do it. I see two shafts, the real one and the transparent one. I look for what's on the inside edge of the transparent one.
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There are no straight lines or sharp corners in nature. Therefore, buildings must have no straight lines or sharp corners.
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My career started young and I was really ambitious, and then I had success and I hung out with people who were much older. I think I might have been temporally misplaced, so I thought I was 40. It was a premature midlife crisis.
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House Speaker Paul Ryan has actually started using a phrase lately - 'Raise our gaze.' He's exactly right, too. That's what I'd like to see in a presidential candidate. I don't like the bricks being thrown back and forth. That's not inspiring to me and to most of our electorate, I think.
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You shouldn't get too close to the truth, because then maybe you stop being funny.
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Industry looks at research and development for energy efficiency, lowering material costs, so on and so forth.
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While the male eye zooms in on a particular element to the exclusion of all else, a woman's gaze flickers from one tedious task to the next, to the point where we can't distinguish between the importance of mopping the kitchen floor and achieving world peace.
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There are two types of conductors. One is the good conductor who can do passionate music but also listen to the singers and do the orchestra. And then there are great conductors, who have their own opinion on the music, who are ruling everything - and not listening much to the singers, but the orchestra play amazingly.
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I didn't feel like going any further in this scene with the boy. He was not a professional actor, and if I had pushed the scene any further it would have destroyed the tone of the movie.
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It really hasn't been demonstrated at any level by any major corporation that it can nurture what is euphemistically called creativity.
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We're moved by emotions and characters and stories. We love that.
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We live in an image society. Speeches are not what anybody cares about; what they care about is the picture.
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I don't have any message in the music. Music will be fine as long as you take care of yourself.
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Of course democracy is good, but it is a process, not a prescription.
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We grew to our present size almost against ourselves. It was not a deliberately planned commercial venture in the sense that I sat down and said that we were going to make ourselves into a huge financial octopus. We evolved by necessity. We did not sit down and say to ourselves, 'How can we make a big pile of dough?' It just happened.
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I've always worn a hat when I work. I think it also comes from a picture of Rothko I saw with a painter's hat on.
