Brion Gysin Quotes
The resulting texts always took a narrative term, enigmatic at first but ultimately explicit and often premonitory. The semantic distribution of these basic elements diverted them from their original meaning, thus revealing their real significance. Henceforth, every form of writing will consist of an operation of decoding, of contamination, and of sense perversion. All this because all language is essentially mystification, and everything is fiction.
Quotes to Explore
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Never in a million years would I imagine Calvin Klein flying me out to my first men's fashion show.
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I worked on the workshop of 'Topdog/Underdog' before it went to Broadway. My minor in school was theater, so I'm based in that, and then I moved to Los Angeles.
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'Srimanthudu' was very important for me and my career at that time, so I was tensed. But for 'Brahmotsavam,' honestly speaking, I am more excited because of its content. I have attempted something new, and I am keen to see how the audience receives it.
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I make an awesome soup with coconut milk and shrimps; it takes me five hours to prepare the whole thing. It does become very spicy, but you can definitely taste all the ingredients.
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I didn't even start college until I was 21.
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When people say 'marriage' to me... It's always a means to an end. Everyone's so in a rush to define the relationship.
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I think being on a set where people aren't being treated as equals, and with just a common level of decency and respect, is really uncomfortable.
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It's important for people of colour to have the opportunities to play characters that are as nuanced - as three-dimensional, as human - as the characters who we traditionally see getting to play the protagonist. The good guys and the bad guys. The reason that is important is because it's a better reflection of the reality of the world we live in.
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I've always had ambition, and the acting was successful and put my name on the map, but it was never the plan to stop there.
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Immortality. We all want to be remembered: We want to do things that will make people say, 'Isn't he wonderful?'
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Until I was eighteen, I did not know that you could study fashion design or art. I really didn't know. I already had my nose in the art world; I was already looking at things, but I didn't really get it that you could study that because my school was a very different environment.
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My father has a manufacturing company in Kentucky, and he's an electrical engineer. A brilliant man. A brilliant businessman. So he understands the business aspects of my business very well. My dad and I always communicate when I have to negotiate a deal.
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There is a kind of mysticism to writing.
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When you have a magazine like 'Vogue,' you know a lot of kids are going to follow your pictures.
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Rock is rock, and, rock and roll, rock is just short for rock and roll.
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Most people don't deserve to be spoken of in the same breath as Chaplin or Lucille Ball.
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I suppose if I had my time again I would refuse it and stay at Fulham because I thoroughly enjoyed my time there, and secondly I would have taken it on my own terms.
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I suppose I'm pulled towards fiction because I really like the freedom it gives me.
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Science fiction is any idea that occurs in the head and doesn't exist yet, but soon will, and will change everything for everybody, and nothing will ever be the same again. As soon as you have an idea that changes some small part of the world you are writing science fiction. It is always the art of the possible, never the impossible.
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I got interested in the contradiction between people who are understanding the city by not moving a single inch, by remaining in the same place all the time, and people like me who are constantly roaming around.
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It isn't that hard to get RBI's when you're hitting home runs, you generally get a least one.
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The resulting texts always took a narrative term, enigmatic at first but ultimately explicit and often premonitory. The semantic distribution of these basic elements diverted them from their original meaning, thus revealing their real significance. Henceforth, every form of writing will consist of an operation of decoding, of contamination, and of sense perversion. All this because all language is essentially mystification, and everything is fiction.
