Ernst Ludwig Kirchner Quotes
Did you know that in 1900 I had the bold idea of renewing German art?.. .First of all I needed to invent a technique of grasping everything while it was in motion, and it was Rembrandts drawings in the Kupferstichkabinett in Munich that showed me how. I practiced seizing things quickly in bold strokes, wherever I was, walking and standing still.. ..and in this way I learned how to depict movement itself, and I found new forms in the ecstasy and haste of this work.. ..and to these forms was added pure colour, as pure as the sun generates it.. ..in line with Goethe's theory of colours. It makes pictures much more colorful. Making wood-cuts, which I'd learnt as a fifteen-year-old from my father, helped me to stabler and simpler forms. And armed in this way I returned to Dresden.
Quotes to Explore
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NRDC has helped bring hope spots to more of our shared ocean waters. We helped draft and pass a California law creating a network of underwater parks stretching from the Oregon border to the Mexican border.
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Somehow I got the feeling at an early age that I had to do something important with my life.
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People who really try to be conscious of what they have done, who take responsibility, to me these kinds of people are heroes.
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I've probably read more bad science fiction than anyone else alive. But I've also read more good science fiction than anyone else alive.
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Education is neither eastern nor western.
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There are two languages: one as things seem to us and the other of knowledge.
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At school I was always trying to con my teachers into letting me act out book reports instead of writing them.
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You only get one chance at life and you have to grab it boldly.
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As a solo performer, it's total involvement. What I do is to break down the wall between audience and performer.
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You have a right to your opinion about the work that you're doing. An artist is as equally important as the director. If you believe that, you can work in any circumstances.
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Even my mother told me: 'You are a handsome woman, but you're not pretty. Pretty girls don't have those big bones.'
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I've spent most of my life playing with Tom Petty, and he's a damn good songwriter.
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Every city has a town outside with a lake. I pull out my fishing pole and fish. I've been doing that for a long time.
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When I'm on the set, I'll come up with ideas if I'm sort of just between responsibilities, because there's a lot of sitting around on set. Invariably, though, the stuff I come up with on the set tends to be bad.
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In the Cleveland area, I have been instrumental in helping to save or create thousands of jobs. People know me there as a person who gets involved.
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I'm pretty handy! I do a lot of things around the house, and I actually enjoy it.
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The great spirals... apparently lie outside our stellar system.
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The original Heart logo was made back in the real early '70s by Mike Fisher, who I used to be in a relationship with. He was first our manager and then our soundman. When I met him, he was in design school for architecture, so he was always drawing.
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I'm generally a low-key guy.
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I was surprised how little I knew about the significant contributions to aviation that had happened right there in Hampton, Virginia.
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Intolerance betrays want of faith in one's cause.
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They were like little palaces: all rococo or art deco. You'd walk in off those hot streets into a nice, air-cooled theater, and you'd spend all day watching Cagney or Jimmy Stewart. It cost all of 17 cents.
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Did you know that in 1900 I had the bold idea of renewing German art?.. .First of all I needed to invent a technique of grasping everything while it was in motion, and it was Rembrandts drawings in the Kupferstichkabinett in Munich that showed me how. I practiced seizing things quickly in bold strokes, wherever I was, walking and standing still.. ..and in this way I learned how to depict movement itself, and I found new forms in the ecstasy and haste of this work.. ..and to these forms was added pure colour, as pure as the sun generates it.. ..in line with Goethe's theory of colours. It makes pictures much more colorful. Making wood-cuts, which I'd learnt as a fifteen-year-old from my father, helped me to stabler and simpler forms. And armed in this way I returned to Dresden.
