Ernst Ludwig Kirchner Quotes
Did you know that in 1900 I had the bold idea of renewing German art?.. .First of all I needed to invent a technique of grasping everything while it was in motion, and it was Rembrandts drawings in the Kupferstichkabinett in Munich that showed me how. I practiced seizing things quickly in bold strokes, wherever I was, walking and standing still.. ..and in this way I learned how to depict movement itself, and I found new forms in the ecstasy and haste of this work.. ..and to these forms was added pure colour, as pure as the sun generates it.. ..in line with Goethe's theory of colours. It makes pictures much more colorful. Making wood-cuts, which I'd learnt as a fifteen-year-old from my father, helped me to stabler and simpler forms. And armed in this way I returned to Dresden.
Quotes to Explore
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NRDC has helped bring hope spots to more of our shared ocean waters. We helped draft and pass a California law creating a network of underwater parks stretching from the Oregon border to the Mexican border.
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Somehow I got the feeling at an early age that I had to do something important with my life.
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People who really try to be conscious of what they have done, who take responsibility, to me these kinds of people are heroes.
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I've probably read more bad science fiction than anyone else alive. But I've also read more good science fiction than anyone else alive.
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Education is neither eastern nor western.
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There are two languages: one as things seem to us and the other of knowledge.
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At school I was always trying to con my teachers into letting me act out book reports instead of writing them.
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You only get one chance at life and you have to grab it boldly.
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You have a right to your opinion about the work that you're doing. An artist is as equally important as the director. If you believe that, you can work in any circumstances.
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I've spent most of my life playing with Tom Petty, and he's a damn good songwriter.
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Every city has a town outside with a lake. I pull out my fishing pole and fish. I've been doing that for a long time.
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When I'm on the set, I'll come up with ideas if I'm sort of just between responsibilities, because there's a lot of sitting around on set. Invariably, though, the stuff I come up with on the set tends to be bad.
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In the Cleveland area, I have been instrumental in helping to save or create thousands of jobs. People know me there as a person who gets involved.
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The great spirals... apparently lie outside our stellar system.
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I'm generally a low-key guy.
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I was surprised how little I knew about the significant contributions to aviation that had happened right there in Hampton, Virginia.
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I've done a lot of meditation studying on my own, but I've also taken a couple of transcendence classes.
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A politician finds anything to do with racial problems far more frightening than a gun.
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I'm not someone who wants to be second-guessed at all.
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But we never get back our youth… The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to.
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Negroes must be free in order to be equal, and they must be equal in order to be free... Men cannot win freedom unless they win equality. They cannot win equality unless they win freedom.
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But as long as you're creating the art you want to create, if people start liking you, you shouldn't have to apologize. You want your stuff to be heard by as many people as possible.
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Learning the art of painting is not an easy task. It takes a great deal of intelligence, keen analysis, study and practice.
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Did you know that in 1900 I had the bold idea of renewing German art?.. .First of all I needed to invent a technique of grasping everything while it was in motion, and it was Rembrandts drawings in the Kupferstichkabinett in Munich that showed me how. I practiced seizing things quickly in bold strokes, wherever I was, walking and standing still.. ..and in this way I learned how to depict movement itself, and I found new forms in the ecstasy and haste of this work.. ..and to these forms was added pure colour, as pure as the sun generates it.. ..in line with Goethe's theory of colours. It makes pictures much more colorful. Making wood-cuts, which I'd learnt as a fifteen-year-old from my father, helped me to stabler and simpler forms. And armed in this way I returned to Dresden.
