Bronislaw Malinowski Quotes
The magnificent title of the Functional School of Anthropology has been bestowed on myself, in a way on myself, and to a large extent out of my own sense of irresponsibility.

Quotes to Explore
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I won't allow myself to have tremendous fear.
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It is hard to watch myself. I'm hypercritical, and it's difficult to watch a performance when I may end up being at odds with it - wishing I'd done something differently or that they had edited it a certain way.
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There is no need to change my image. I like my image, and the audience likes it, too. I am very comfortable with the kind of roles I do, and as I am not doing the same character or playing myself. I explore my characters; I don't brood over my broody image.
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I think of myself as a cover girl. But I would never do some kind of cheesy magazine.
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I consider myself not a conservative libertarian but a radical '60s libertarian.
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I've got nothing very original to say myself.
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I love talking about myself.
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I allow myself to fail. I allow myself to break. I'm not afraid of my flaws.
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My dream as an actor growing up was always to challenge myself to different genres, different roles, and it's actually rare that an actor's given that opportunity to do that.
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One of the first gardens I did outside the family was for the designer Hattie Carnegie. I was 23 then, and I went to her salon, but could not afford any of her dresses myself, though I loved them. Miss Carnegie suggested I do a garden in exchange for a coat and dress, and so I designed and planted a garden for her.
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I've always had confidence. It came because I have lots of initiative. I wanted to make something of myself.
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When I'm home on a break, I lock myself in my room and play guitar. After two or three hours, I start getting into this total meditation. It's a feeling few people experience, and that's usually when I come up with weird stuff. It just flows. I can't force myself. I don't sit down and say I've got to practice.
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I haven't always been confident. I actually suffered with low self-esteem growing up. Eventually, I got to a point where I was just like, 'OK, this is taking too much energy.' After that, I started accepting myself for who I was, and I was like, whoever is not going to accept it, they weren't really meant to be in my life in that way.
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I don't take myself too seriously.
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When it comes to the personal essays I write, I just convince myself that no one will ever read them.
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I can't really see myself as an artist. Now, to step out here and there, do it when I feel like it, that's a possibility. But for me to be a full-fledged, full-time artist in the industry, I don't think so.
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I know that I have probably an eight- to 10-year window in this league, and if I want to be what I say I want to be, then I have to commit myself 100 percent.
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I never reflect or convey that which I have not experienced myself.
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I was very laced with drugs myself, but Fred seemed to be even more so than me. That might have had something to do with it. That might have had something to do with nobody wanting to play my records, too, I don't know.
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Many people continue to think of sharks as man-eating beasts. Sharks are enormously powerful and wild creatures, but you're more likely to be killed by your kitchen toaster than a shark!
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The best thing about being on the road in general is just playing every single night in front of people that are genuinely fans of your music.
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There are no wrong roads to anywhere.
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The magnificent title of the Functional School of Anthropology has been bestowed on myself, in a way on myself, and to a large extent out of my own sense of irresponsibility.