Karin Tidbeck Quotes
Quotes to Explore
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Writers of fiction, when they begin, are more likely to try the short form.
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What I hate in fiction is when the author knows better than the characters what they should do.
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I tend to resist invitations to interpret my own fiction.
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A man's face is his autobiography. A woman's face is her work of fiction.
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I love science fiction.
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Right from the very beginning, I knew I wanted to write palpably Scottish fiction.
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'The Wire' really drew on a lot of real-life situations and real-life organizations - it created fiction to make a social statement about reality.
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If utopian fiction became the new trend, I wouldn't read it.
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Occasionally I write a small piece or the odd lecture in English, and I teach in English, but my fiction is always written in German.
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My yachts were, I suppose, outstanding status symbols.
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If there were a better, clearer, shorter way of saying what the fiction says, then why not scrap the fiction?
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I don't think Pulp Fiction is hard to watch at all.
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'Harry Potter' made it cool to read children's fiction, and 'Twilight' did the same for a slightly older age group. What I'm seeing is mothers and daughters who love to read the same books.
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The idea of a flip book still really appeals to me. That idea of fiction and non-fiction.
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In really, really good science fiction, the line between the science and the fiction is blurry.
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I think most fiction focuses on uncomfortable settings because that's interesting.
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A woman gains status when she refuses to see anything killed to be put on her back. Then she’s truly beautiful.
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The fiction of Ayn Rand is as low as you can get re fiction. I hope you picked it up off the floor of the subway and threw it in the nearest garbage pail. She makes Mickey Spillane look like Dostoevsky.
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Max Allan Collins blends fact and fiction like no other writer.
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You don't have that much choice in your life, which is one of the big lessons I've learned. I was going to be a designer whether I wanted to be a designer or not.
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The Refusal of the Keys: it seemed like something from mythology, from medieval legend.
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Lionel Essrog, the twitching, barking, gabbling narrator of Jonathan Lethem's new novel, 'Motherless Brooklyn,' is no movie-of-the-week novelty grafted onto a noir mystery. Maybe his Tourette's is a gimmick, but it's a gimmick with depth, with soul.
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Work to survive, survive by consuming, survive to consume; the hellish cycle is complete.
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Happily, fantastic fiction is slowly gaining in status.
