Pablo Neruda Quotes
At night I dream that you and I are two plants that grew together, roots entwined, and that you know the earth and the rain like my mouth, since we are made of earth and rain.
Quotes to Explore
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He who fears to weep, should learn to be kind to those who weep.
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Are there differences between black actors' opportunities and white actors' opportunities? Yes, there are. It's been said.
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I was amazed at how the life of a freelancer differed from running a remote studio for another company. I thought I knew what I was doing in 2004 when I left Eidos because I had run Ion Storm Austin, which was my own independent studio. I had run a business unit inside Origin, but being part of a startup is crazy.
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I'm always drawn to stories about characters who are somewhat isolated inside themselves by their inability to communicate in some way. That's what interested me about 'Children of a Lesser God.'
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The problem with rich lists is... it is impossible to know what someone is worth until they have died and you have sold it.
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I am not the only intense or intellectual cricketer. I played with other cricketers who could be pretty intense and intellectual.
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My first name, with the rare two-r spelling, came from a sportswriter named Garry Schumacher. My parents didn't know him personally, but my mother liked the spelling.
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I went to high school in New York City. So, I grew up in New Jersey my whole life, and I was watching all the people and all the kids that I met there become so jaded.
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(On seeing a former lover for the first time in years) I thought I told you to wait in the car.
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It doesn't matter how many A-levels you have, what kind of a degree you have, if you have good manners, people will like you.
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One of the saddest things I've seen in Amazonian cultures is people who were self-sufficient and happy that now think of themselves as poor and become dissatisfied with their lives. What worries me is outsiders trying to impose their values and materialism on the Piraha.
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For me every ruler is alien that defies public opinion.
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A lot of people think I had such a rosy career, but I wanted to identify that one of the things that helps you have a long career is learning how to deal with adversity, how to get past it. Once I learned how to get through that, others things didn't seem so hard.
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There's no social realism in 'Tyrannosaur.' It's not about the social landscape or the political landscape or any of that. It's just about human beings. I never made 'Tyrannosaur' in reference to anybody - I just made it because I had to make my own films.
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Every year I go to the Google Zeitgeist conference, which is invite-only, and I'm one of about 20 women and five fashion people out of the 400 there.
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For seven years I did very little theatre, and I have to make up some time.
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People throw away what they could have by insisting on perfection, which they cannot have, and looking for it where they will never find it.
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I've decided to tell my kids things like: 'I love the way each of you tilted back your heads when you laughed.' I will give them specific stuff they can grasp.
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The Earth is not dying-it is being killed. And the people who are killing it have names and addresses.
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Don't be trapped in someone else's dream.
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I wake up in the morning and I lie in bed, and it's the time I call "the theater of morning." All these thoughts run around in my head, between my ears when I'm waking up. It's not a dream state, but it's not completely awake either. So all these metaphors run around and then I pick one and I get out of bed and I do it. I'm very lucky.
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I don't cry too often reading books, but I did reading Francisco Goldman's autobiographical novel, 'Say Her Name.'
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At night I dream that you and I are two plants that grew together, roots entwined, and that you know the earth and the rain like my mouth, since we are made of earth and rain.
