Karl Lehenbauer Quotes
Quotes to Explore
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You can take things that Jimi Hendrix took, from Curtis Mayfield or from Buddy Guy for example, because we are all children of everything, even Picasso. But if you want to stand out, you have to learn to crystallize your existence and create your own fingerprints.
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There's not some idea I'm going to create a work that's going to change everybody's consciousness.
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I am thankful to the Nobel committee for recognising the plight of millions of children who are suffering in this modern age.
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I guess I'm quite practical. Or at least like to think I am.
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Before and after emancipation, the Negro, in self-defense, was propelled toward the white employer. The endowments of wealthy white men have developed great institutions of learning for the Negro, but the freedom of action on the part of these same universities has been curtailed in proportion as they are indebted to white philanthropies.
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I don't know about the whole song-and-dance thing. But if India will have me, the independent cinema scene there is something I'm really interested in.
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In almost every technology area that we're ahead in, we're ahead in because the United States leads the world in computers.
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People tell you everything changes when you have a kid, but what nobody says is you don't mind.
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Obstacles are necessary for success because in selling, as in all careers of importance, victory comes only after many struggles and countless defeats.
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Math has a lot of negative stereotypes, but it can actually be fun and incredibly empowering.
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I'd be resentful if shareholders who don't know the business tried to tell me what to do.
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God gives every bird his worm, but He does not throw it into the nest.
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The biographical novel sets out to document this truth, for character is plot, character development is action, and character fulfillment is resolution.
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I had gone through game, after game, after game, first being a professor at Harvard, then being a psychedelic spokesman, and still people were constantly looking into my eyes, like 'Do you know?' Just that subtle little look, and I was constantly looking into their eyes 'Do you know?'
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To endeavour to work upon the vulgar with fine sense, is like attempting to hew blocks with a razor.
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I have often been called a political opportunist simply because I've had friendships with those from varied spheres of the political scenario. It's risky to even have hi and hello relations now with persons from a particular domain. But I think it has got more to do with that spectrum than it has to do with the people in it.
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The story of your youth must not turn into a catalog of what became important in your later life. It must also contain the dissipation, the failure, and the waste.
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I loved Batman, don't get me wrong, but that kind of mindless violence is not good for young children.
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The benefit of writing a collection - as opposed to a novel - is that I'm able to have some version of the war in each story without having to comment on its all-encompassing nature. Turn the page and here are new characters and new situations, but the war remains... Isn't that how life has been for us for over a decade?
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For the first time, the weird and the stupid and the coarse are becoming our cultural norms, even our cultural ideal.
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I will never be one of the happy stupid that were born somewhere. This way of life is excellent for the imagination. It develops your paranoia. You feel paranoid when you don't understand a country, and being paranoiac is excellent for fiction.
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My stupid ambition is to make a film that's not like any other - one that has its own kind of logic and hooks viewers without making them think too much. It's a film I'd love to see, one in which after 10 minutes the audience isn't able to predict the whole thing.
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You can hardly do anything that won't seem stupid later.
