Karl Valentin Quotes
Quotes to Explore
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I read part of it all the way through.
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Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
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I think there is a real misconception about Indian food being super spicy. And I know that's because when you go into an Indian restaurant, it is pretty spicy. But it doesn't have to be. In fact, my husband can't handle a lot of heat. I've had to temper my cooking so that he can eat with me.
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I'm half Puerto Rican and every Friday we have rice and beans and chicken in my house - so that's like a very Latin staple. It's just so comforting. I look forward to every single Friday because I just can't wait for my rice and beans and chicken.
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Karaoke is something that's near and dear and very close to my heart. I was a karaoke host when I was working my way through university. I was a full-time student and karaoke was my night job.
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I think that the U.S. does have this very much more open attitude, and I admire it very much and I think it's very important to the world. But the information and the discussion sometimes come too late, after the effective decision has been made.
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I think the key for any kind of artist - and this transcends music - is a certain degree of authenticity and sincerity.
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If you imagine writing 1,000 words a day, which most journalists do, that would be a very long book a year. I don't manage nearly that... but I have published slightly too much recently.
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Be there for your kids. Later, when you need them, they'll be there for you.
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There is no evidence to show that prohibition has ever had its intended impact. Of course, just as banning beef has reduced beef consumption, banning alcohol will lead to reduced alcohol consumption. But, there appears to be little or no correlation between, say, domestic violence or household impoverishment and prohibition.
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We've all read, I'm sure, a Superman book where we didn't really feel like we knew the character. Where the writer, often with the best of intentions, has tried put a personal stamp on the character, whether it be to try and make him more current, or cool, or have a broader appeal, etc.
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I couldn't live on the singing at first, so I worked as a cleaner, in a launderette, in a garage, face painting and doing the windows of shops at Christmas, 'cause I had been to art college.
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'Wet Hot American Summer' was sort of lowbrow genius, you know? But smart in its cultish silliness. It wasn't considered something of great cultural caliber. But like many cult pieces, it sort of became something culturally relevant, which I think is what's so wonderful about it.
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Before breaking into music, I had various jobs: forklift driver, driving a courier. But I was forced into working rather than doing it off my own bat because that was my dad's way: you got a job and paid your way.
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Meditation helps me to calm down.
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I love movies, and if the right thing comes along I'm so interested.
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I got disappointed in human nature as well and gave it up because I found it too much like my own.
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Hear the other side.
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Get to know your kids' minds and how they think.
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I'm terrified about psychic people who have their little shops. I always walk across the street and go somewhere else. Imagine if one of them came out with their face all pale and said, 'Hurry up and enjoy yourself.' No one wants to know that.
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If you ever were bullied, you'll always remember that feeling.
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I was terrified, terrified in 'Songwriter,' because there I was, New York Jewish girl, singing country-western onstage with Kris Kristofferson and Willie Nelson. I mean, forget it. I was so terrified.
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I was suddenly really famous, and I didn't know how to cope. I didn't know myself well enough as a person, number one, and as an actor, number two. I wanted to escape.
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I really would have liked to love, but I didnt trust myself to allow it.
